After a brief methodological premise, we reconstruct the concept of nature in Leonardo da Vinci’s thought, in the awareness of its partially indefinite and composite character. The reconstruction proceeds first by isolating a Stoic component as a basic feature that characterises all of Leonardo’s elaboration, and then by chronologically highlighting an ‘Ovidian’, a Hermetic-Neoplatonic and an Aristotelian component. The presentation concludes with two chapters in which the original developments imprinted by Leonardo on the notion of nature are reconstructed and can be summarized in the two concepts of «being of nothingness» and «mixtures». In this way, it is argued, Leonardo arrived in the final years of his life at a sort of immanentism no...
The very fact that painting was for Leonardo such an axtraordinary synthesis of different elements b...
Why has Leonardo been made into a great scientist, to the discounting of his accomplishments in imag...
The article surveys the Lucretius's influence on the works by Leonardo. On the basis of new evidence...
After a brief methodological premise, we reconstruct the concept of nature in Leonardo da Vinci’s th...
Leonardo on Nature International Conference Organized by Alessandro Nova and Fabio Frosini Ever si...
By examining the theme of “nature,” this elegant and groundbreaking volume reassesses the image of L...
In the paper I pose a question about the philosophical assumptions of the research attitude of Leona...
Leonardo da Vinci is highly regarded for his many contributions to the arts and sciences, though not...
The aesthetic grace of Leonardo da Vinci’s depictions of nature—the backgrounds of his master painti...
Leonardo’s entire work is triggered by observation of nature read as a model and a guide, a generati...
1. Semiotic innovation in the art of Leonardo da Vinci In his “Trattato della pittura ” Leonardo sta...
According to Leonardo’s Libro di pittura, painting has a paradoxical nature, since it is a product o...
In this contribution, some textual portions of the Leonardo da Vinci’s work were analyzed with the a...
The very fact that painting was for Leonardo such an axtraordinary synthesis of different elements b...
This paper focuses on the interaction between scientific, literary, and artistic research in Leonard...
The very fact that painting was for Leonardo such an axtraordinary synthesis of different elements b...
Why has Leonardo been made into a great scientist, to the discounting of his accomplishments in imag...
The article surveys the Lucretius's influence on the works by Leonardo. On the basis of new evidence...
After a brief methodological premise, we reconstruct the concept of nature in Leonardo da Vinci’s th...
Leonardo on Nature International Conference Organized by Alessandro Nova and Fabio Frosini Ever si...
By examining the theme of “nature,” this elegant and groundbreaking volume reassesses the image of L...
In the paper I pose a question about the philosophical assumptions of the research attitude of Leona...
Leonardo da Vinci is highly regarded for his many contributions to the arts and sciences, though not...
The aesthetic grace of Leonardo da Vinci’s depictions of nature—the backgrounds of his master painti...
Leonardo’s entire work is triggered by observation of nature read as a model and a guide, a generati...
1. Semiotic innovation in the art of Leonardo da Vinci In his “Trattato della pittura ” Leonardo sta...
According to Leonardo’s Libro di pittura, painting has a paradoxical nature, since it is a product o...
In this contribution, some textual portions of the Leonardo da Vinci’s work were analyzed with the a...
The very fact that painting was for Leonardo such an axtraordinary synthesis of different elements b...
This paper focuses on the interaction between scientific, literary, and artistic research in Leonard...
The very fact that painting was for Leonardo such an axtraordinary synthesis of different elements b...
Why has Leonardo been made into a great scientist, to the discounting of his accomplishments in imag...
The article surveys the Lucretius's influence on the works by Leonardo. On the basis of new evidence...