A close scrutiny of Aristotle's Poetics allows to put new light to the debated question of the origins of tragedy. The role of the dithyrambic choirs appears less important than before: Aristotle mentions dithyrambic performances only to explain the kind of performance which was distinctive of satyrikon in the early phase. Some recent images from greek vases are consistent with Aristotle's statements that satyrikon was the only drama performed until the end of VI century BC, when tetralogy appeared at Dionysiac Festivals. The meaning and function of the satyrikon is more easy to reach through comparison with Japanese No theatre
This paper draws attention to the relation that may be established between Attic tragedy and the Gre...
Sophocles and Satyric drama. The publication, between 1912 and 1956, of important fragments through ...
In the initial section of the article the author justifies the view that it is bout useful and neces...
Dramatic actions are a very interesting field for the study of 'submerged literature', that is the c...
Ancient evidence suggests that it is as likely that the fifth-century satyr-play was performed at th...
Since the discovery of the fragment of Sophocles' Ichneutai, the study of Satyr play has steadily de...
The Greek drama can be apprehended as an extended ritual, originating in the ceremonies of the Diony...
Satyr drama is a liminal genre, situated generically between tragedy and comedy. It exhibits element...
When quoting from satyr dramas, ancient sources were not always consistent in indicating...
The art of storytelling is only a step away from the art of performance. Yet it took centuries to de...
Tragedy is an inheritance from Greece and Rome, which was not accepted by Western Europe until the R...
Greek tragedy is often seen today as intimately and essentially bound up with Athenian democracy. Th...
To download this item, select the Supplemental Material tab above. With a new introduction and some ...
Violence exists, it seems to be inherent in human nature, always and everywhere. It is not possible ...
This paper seeks to prove that there are no grounds in the Poetics to ascribe to Aristotle the views...
This paper draws attention to the relation that may be established between Attic tragedy and the Gre...
Sophocles and Satyric drama. The publication, between 1912 and 1956, of important fragments through ...
In the initial section of the article the author justifies the view that it is bout useful and neces...
Dramatic actions are a very interesting field for the study of 'submerged literature', that is the c...
Ancient evidence suggests that it is as likely that the fifth-century satyr-play was performed at th...
Since the discovery of the fragment of Sophocles' Ichneutai, the study of Satyr play has steadily de...
The Greek drama can be apprehended as an extended ritual, originating in the ceremonies of the Diony...
Satyr drama is a liminal genre, situated generically between tragedy and comedy. It exhibits element...
When quoting from satyr dramas, ancient sources were not always consistent in indicating...
The art of storytelling is only a step away from the art of performance. Yet it took centuries to de...
Tragedy is an inheritance from Greece and Rome, which was not accepted by Western Europe until the R...
Greek tragedy is often seen today as intimately and essentially bound up with Athenian democracy. Th...
To download this item, select the Supplemental Material tab above. With a new introduction and some ...
Violence exists, it seems to be inherent in human nature, always and everywhere. It is not possible ...
This paper seeks to prove that there are no grounds in the Poetics to ascribe to Aristotle the views...
This paper draws attention to the relation that may be established between Attic tragedy and the Gre...
Sophocles and Satyric drama. The publication, between 1912 and 1956, of important fragments through ...
In the initial section of the article the author justifies the view that it is bout useful and neces...