The contents of this themed issue were complete, reviewed and accepted well before Russia launched its full-scale invasion of Ukraine on 24 February 2022. We recognize that perceptions of Russian culture, nationalism and transnational connections will have changed substantially as a result of the war and that writing about Russia's position in the world may now carry painful associations. This issue is in no way intended as a commentary on contemporary events. Firm in the belief that there is worth in historical research that challenges and decentres nationalist mythologies, we have decided to publish our texts in their original form
This thesis is an investigation into the reception of Russian music in England for the period 1893-1...
The article describes the main tendencies in the development of musical life and culture in Russia a...
In this book, musicologist Marina Frolova-Walker details the process and circumstances around the or...
This article explores how British concerns over the state of their own national music, in combinatio...
What does it mean to be Russian? In the nineteenth century, Russia saw a growth in nationalism. In...
This paper explores Russian culture beginning in the midnineteenth century as the leading group of c...
This paper explores Russian culture beginning in the mid nineteenth-century as the leading group of ...
Nineteenth-century Russian music has often been considered something ‘special’. This is a conviction...
This is the introduction to the volume Transnational Russian Studies (Liverpool University Press, 20...
In her descriptive and lengthy tome, Finnish historian Meri Herrala uses Soviet opera as a lens to e...
This study explores Russian thought about music in thirty-five years leading up to the establishment...
A version of this article was published in Choral Journal; Dec 2001, Vol. 42, p9-24
This paper addresses the development of Russian and Soviet music from the 1860’s through Stalin’s te...
What I shall try to do today is to give an historical background, trying as far as possible in so s...
Includes abstract and vita. --- Also contains songs by Rachmaninoff, Liszt, Glinka, Alyabyev, Dargom...
This thesis is an investigation into the reception of Russian music in England for the period 1893-1...
The article describes the main tendencies in the development of musical life and culture in Russia a...
In this book, musicologist Marina Frolova-Walker details the process and circumstances around the or...
This article explores how British concerns over the state of their own national music, in combinatio...
What does it mean to be Russian? In the nineteenth century, Russia saw a growth in nationalism. In...
This paper explores Russian culture beginning in the midnineteenth century as the leading group of c...
This paper explores Russian culture beginning in the mid nineteenth-century as the leading group of ...
Nineteenth-century Russian music has often been considered something ‘special’. This is a conviction...
This is the introduction to the volume Transnational Russian Studies (Liverpool University Press, 20...
In her descriptive and lengthy tome, Finnish historian Meri Herrala uses Soviet opera as a lens to e...
This study explores Russian thought about music in thirty-five years leading up to the establishment...
A version of this article was published in Choral Journal; Dec 2001, Vol. 42, p9-24
This paper addresses the development of Russian and Soviet music from the 1860’s through Stalin’s te...
What I shall try to do today is to give an historical background, trying as far as possible in so s...
Includes abstract and vita. --- Also contains songs by Rachmaninoff, Liszt, Glinka, Alyabyev, Dargom...
This thesis is an investigation into the reception of Russian music in England for the period 1893-1...
The article describes the main tendencies in the development of musical life and culture in Russia a...
In this book, musicologist Marina Frolova-Walker details the process and circumstances around the or...