Describes a unique copy of the 1882 Camden "Author\u27s Edition" of Leaves of Grass, inscribed by Whitman to Frances ("Fannie") Taylor (1846-1907) and containing "nine printed poems (from magazines and newspapers) Whitman evidently sent Fannie Taylor.
Offers the results to date for the census of copies of the first edition of Leaves of Grass, reporti...
This catalog accompanied the exhibit, Walt Whitman: A Centenary Exhibition. When Walt Whitman publis...
Offers a close examination of the floriated font on the cover of the 1855 Leaves of Grass, compares ...
Describes a unique copy of the 1882 Camden Author\u27s Edition of Leaves of Grass, inscribed by Wh...
Examines the relationship between Whitman and his 1881 Boston publisher, James Ripley Osgood, emphas...
Discovers two variants of line 1118 of the 1855 poem eventually entitled "Song of Myself," indicatin...
Presents two 1856 reviews of the 1855 edition of Leaves of Grass not included in Kenneth M. Price\u2...
Discusses a daguerreotype of an unidentified young woman holding a copy of the 1856 Leaves of Grass;...
Few scholars have attempted to conduct a close examination of Whitman\u27s relationship to his publi...
Walt Whitman\u27s twelve-poem Live Oak, with Moss sequence, composed in the late 1850s then broken...
Demonstrates the importance of an early page of Whitman\u27s handwritten notes (currently in the Uni...
Recounts the history of the Trimble family (William, his wife Henrietta, his daughter Dorothy, and h...
Reprints and discusses a broadside published by E. C. Walker in the early 1880s, advertising Leaves ...
This booklet accompanied the exhibit which marks the 150th anniversary of the publication of Whitman...
Describes the relations between Grace Ellery Channing, Charlotte Perkins Gilman, William Douglas O\u...
Offers the results to date for the census of copies of the first edition of Leaves of Grass, reporti...
This catalog accompanied the exhibit, Walt Whitman: A Centenary Exhibition. When Walt Whitman publis...
Offers a close examination of the floriated font on the cover of the 1855 Leaves of Grass, compares ...
Describes a unique copy of the 1882 Camden Author\u27s Edition of Leaves of Grass, inscribed by Wh...
Examines the relationship between Whitman and his 1881 Boston publisher, James Ripley Osgood, emphas...
Discovers two variants of line 1118 of the 1855 poem eventually entitled "Song of Myself," indicatin...
Presents two 1856 reviews of the 1855 edition of Leaves of Grass not included in Kenneth M. Price\u2...
Discusses a daguerreotype of an unidentified young woman holding a copy of the 1856 Leaves of Grass;...
Few scholars have attempted to conduct a close examination of Whitman\u27s relationship to his publi...
Walt Whitman\u27s twelve-poem Live Oak, with Moss sequence, composed in the late 1850s then broken...
Demonstrates the importance of an early page of Whitman\u27s handwritten notes (currently in the Uni...
Recounts the history of the Trimble family (William, his wife Henrietta, his daughter Dorothy, and h...
Reprints and discusses a broadside published by E. C. Walker in the early 1880s, advertising Leaves ...
This booklet accompanied the exhibit which marks the 150th anniversary of the publication of Whitman...
Describes the relations between Grace Ellery Channing, Charlotte Perkins Gilman, William Douglas O\u...
Offers the results to date for the census of copies of the first edition of Leaves of Grass, reporti...
This catalog accompanied the exhibit, Walt Whitman: A Centenary Exhibition. When Walt Whitman publis...
Offers a close examination of the floriated font on the cover of the 1855 Leaves of Grass, compares ...
DOI
Add to ORKG