Argues against previous critics\u27 claims that the "order in which the poems appear in Leaves of Grass is of dubious significance" by demonstrating how four poems from Drum-Taps-"Cavalry Crossing a Ford," "Bivouac on a Mountain Side," "An Army Corps on the March," and "By the Bivouac\u27s Fitful Flame"-form a coherent sequence
Traces Thomas Wentworth Higginson\u27s gradual evolution from enemy and detractor of Whitman\u27s po...
While Walt Whitman’s thematic use of the Orient continues to receive critical attention based on his...
Presents two 1856 reviews of the 1855 edition of Leaves of Grass not included in Kenneth M. Price\u2...
Argues against previous critics\u27 claims that the order in which the poems appear in Leaves of Gr...
Examines William Michael Rossetti\u27s editorial influence on the Drum-Taps cluster in Leaves of G...
Màster Oficial en Construcció i Representació d'Identitats Culturals (CRIC), Curs 2007-2008, Directo...
Explores the similarities and differences between Whitman\u27s Drum-Taps and Thomas Wentworth Higgin...
Examines the 1871 "Drum-Taps" cluster on its own terms and in relation to other editions, arguing th...
This project examines Walt Whitman’s poetic voice – pre, during, and post-Civil War conflict. The es...
‘Fit Compositions’ was a commissioned book chapter for a volume on the re-ordering of American poetr...
Argues that the Drum-Taps poems tell two different histories, one the "larger story of the war" and ...
In these pages the emphasis will be placed not upon Walt Whitman\u27s literary theory, but upon the ...
In their poetry of war, Walt Whitman and Wilfred Owen substantially revise or reject outright the id...
Examines "inhibiting assumptions--textual and aesthetic, not sexual"--that the authors believe "have...
Provides an explanation for Whitman\u27s use of sequences of dots to break up lines internally in th...
Traces Thomas Wentworth Higginson\u27s gradual evolution from enemy and detractor of Whitman\u27s po...
While Walt Whitman’s thematic use of the Orient continues to receive critical attention based on his...
Presents two 1856 reviews of the 1855 edition of Leaves of Grass not included in Kenneth M. Price\u2...
Argues against previous critics\u27 claims that the order in which the poems appear in Leaves of Gr...
Examines William Michael Rossetti\u27s editorial influence on the Drum-Taps cluster in Leaves of G...
Màster Oficial en Construcció i Representació d'Identitats Culturals (CRIC), Curs 2007-2008, Directo...
Explores the similarities and differences between Whitman\u27s Drum-Taps and Thomas Wentworth Higgin...
Examines the 1871 "Drum-Taps" cluster on its own terms and in relation to other editions, arguing th...
This project examines Walt Whitman’s poetic voice – pre, during, and post-Civil War conflict. The es...
‘Fit Compositions’ was a commissioned book chapter for a volume on the re-ordering of American poetr...
Argues that the Drum-Taps poems tell two different histories, one the "larger story of the war" and ...
In these pages the emphasis will be placed not upon Walt Whitman\u27s literary theory, but upon the ...
In their poetry of war, Walt Whitman and Wilfred Owen substantially revise or reject outright the id...
Examines "inhibiting assumptions--textual and aesthetic, not sexual"--that the authors believe "have...
Provides an explanation for Whitman\u27s use of sequences of dots to break up lines internally in th...
Traces Thomas Wentworth Higginson\u27s gradual evolution from enemy and detractor of Whitman\u27s po...
While Walt Whitman’s thematic use of the Orient continues to receive critical attention based on his...
Presents two 1856 reviews of the 1855 edition of Leaves of Grass not included in Kenneth M. Price\u2...
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