Revisiting Philippine Folklore: Ba-diw as Discourse of Ethnicity in the Nonfolklorist Humanistic Lens

This ethnographic literary critique of an old Ba-diw of the Ibaloy ethnolinguistic group in Southern Benguet, Philippines, was completed by adopting a humanistic lens of a nonfolklorist with the aid of discourse analysis. Serving as a revisit to Philippine folklore, this ambitious yet novelty ethno-critique focused on the language of Ba-diw as a discourse of ethnicity and taking inspiration from the radical views of the National Artist in Literature, Bienvenido Lumbera, the research proceeded by employing the contextualist theory, setting the Ba-diw in its rightful indigenous literary and cultural background and historicity. The critique probed into the distinct ethnolinguistic heritage of the Ibaloy, after which discourse analysis was conducted to examine the grammar of the Ba-diw as both an ethnic and aesthetic expression. This grammar highlighted in the ethnographic critique is the dynamic system of the basic elements of a language consisting of lexis, syntax, semantics, phonology, and cultural load. Recognizing the Ba-diw as an indigenous oral tradition, the researcher examined its language use as an expression of the identity, ideals, aspirations, worldviews, and lifestyle of the Ibaloy ethnolinguistic group being the dominant theme henceforth, a legitimate and unique contribution to the richness of Philippine folklore