The indigenous demands made in Argentina in recent decades for the restitution of their ancestry to museums and other institutions have given rise to the making of several films and photographic exhibitions. The aim of this paper is to reflect on these images as “machinery for the production of sensibilities”, examining the politics of light in the representation and administration of violence and the affects and effects they have on the reconstruction of a past that demands justice on the part of the original peoples. I examine the images dedicated to making public the violence and racism involved in these heritagization processes and the implications, discomforts and positionings that these disturbing memories generate among the Mapuche i...
Th is paper presents a refl ection about the role of heritage and archaeological discourses in the c...
The purpose of this article is to show how anthropologists and anthropological museums express the t...
En este trabajo analizaremos algunas de las fotografías producidas durante la “Conquista del Desiert...
During the second half of the Nineteenth Century successive Argentine governments brought into natio...
In this article I explore how the heritage discourse is mobilised and negotiated in the definition o...
This article is the result of the rescue, identification and classification of a collection of photo...
Abstract In the context of the constitution of the Argentine State at the end of the 19th century, t...
For more than a century, there has been little discussion of the Argentinean genocide perpetrated ag...
This paper analyzes previous and current practices in handling human remains from aboriginal communi...
In this paper I examine the way in which violence, human rights and indigenous heritage were being s...
International audienceOur paper deals with the historical and contextual senses that movements and f...
For a long time the historiographical and anthropological narrative in Argentina contributed to a do...
Museums are an integral part of a nation's identity formation - showcasing to national and internati...
Se analizan los relatos acerca de luchas de guerreros indígenas por sus tierras a partir de la polít...
The full force of the social and cultural aftermath of the last military dictatorship is still being...
Th is paper presents a refl ection about the role of heritage and archaeological discourses in the c...
The purpose of this article is to show how anthropologists and anthropological museums express the t...
En este trabajo analizaremos algunas de las fotografías producidas durante la “Conquista del Desiert...
During the second half of the Nineteenth Century successive Argentine governments brought into natio...
In this article I explore how the heritage discourse is mobilised and negotiated in the definition o...
This article is the result of the rescue, identification and classification of a collection of photo...
Abstract In the context of the constitution of the Argentine State at the end of the 19th century, t...
For more than a century, there has been little discussion of the Argentinean genocide perpetrated ag...
This paper analyzes previous and current practices in handling human remains from aboriginal communi...
In this paper I examine the way in which violence, human rights and indigenous heritage were being s...
International audienceOur paper deals with the historical and contextual senses that movements and f...
For a long time the historiographical and anthropological narrative in Argentina contributed to a do...
Museums are an integral part of a nation's identity formation - showcasing to national and internati...
Se analizan los relatos acerca de luchas de guerreros indígenas por sus tierras a partir de la polít...
The full force of the social and cultural aftermath of the last military dictatorship is still being...
Th is paper presents a refl ection about the role of heritage and archaeological discourses in the c...
The purpose of this article is to show how anthropologists and anthropological museums express the t...
En este trabajo analizaremos algunas de las fotografías producidas durante la “Conquista del Desiert...