Since their publication in 1989, the confessional notes Gerard Manley Hopkins (1844-1889) kept as an undergraduate have been a major influence in shaping criticism of his work. The sexual indiscretions and longings the confessional notes record have been central to recent studies of eroticism in Hopkins’s poetry, corroborating the suggestion that his poems allowed for the homoerotic expression his religious vocation denied him. While not questioning the seriousness of Hopkins’s attraction to other men, this article seeks to establish the broader moral scrupulousness the confessional notes evidence. As well as recording lapses in sexual propriety, the notes reveal the startling range of what Hopkins considered to be failings in need of repen...