This chapter considers the role of prolegomena and authorial interventions in constraining and contextualizing orally derived saga narratives in high medieval Iceland. It examines the question of whether prolegomena were intended to be included in oral renditions of the sagas and, if so, in whose ‘voice’ they were understood to be spoken. The ‘openness’ of a saga text — the extent of editorial freedom enjoyed by those concerned with extracting it from the oral milieu — has been much discussed; however, less attention has historically been paid to the freedom which the written texts then afforded any would-be reciter for emending or adapting their content when reading them aloud to a live audience. Prolegomena provide our most instructive so...
The paper gives a short look at the development of the oral tradition in Iceland, where passing the ...
Sagas appeared on Scandinavian scholars' horizons around the seventeenth century, when their narrati...
Egil’s Saga invites inquiry about its composition with its unique use of poetry and prose. Its origi...
This chapter considers the role of prolegomena and authorial interventions in constraining and conte...
Saga entertainment (sagnaskemtun) was a regular element of any social gathering in medieval Scandina...
Absract In the field of medieval Icelandic studies, "the oral tradition" refers to the accumulated a...
The family and Sturlunga sagas are not only narratives of "sophisticated conventionality," but it is...
The Icelandic sagas can be read and interpreted in many ways. This article examines the sagas both a...
The transition from a semiotic system of textual comprehension to a system of internal structural bo...
The aim of this thesis is to show how character analysis can be used to approach conceptions of saga...
In the long-lasting Icelandic manuscript culture, the production and reception of sagas was situated...
Written in the thirteenth century, the Icelandic prose sagas, chronicling the lives of kings and com...
The anthology Oral Art Forms and Their Passage into Writing, from 2008 and edited by Else Mundal and...
The Saga of Yngvarr used to be classified as a Legendary Saga (Fornaldarsaga) on account of its vagu...
Fiction may be imbued with a truth to life which is equal to if not superior in value to any factual...
The paper gives a short look at the development of the oral tradition in Iceland, where passing the ...
Sagas appeared on Scandinavian scholars' horizons around the seventeenth century, when their narrati...
Egil’s Saga invites inquiry about its composition with its unique use of poetry and prose. Its origi...
This chapter considers the role of prolegomena and authorial interventions in constraining and conte...
Saga entertainment (sagnaskemtun) was a regular element of any social gathering in medieval Scandina...
Absract In the field of medieval Icelandic studies, "the oral tradition" refers to the accumulated a...
The family and Sturlunga sagas are not only narratives of "sophisticated conventionality," but it is...
The Icelandic sagas can be read and interpreted in many ways. This article examines the sagas both a...
The transition from a semiotic system of textual comprehension to a system of internal structural bo...
The aim of this thesis is to show how character analysis can be used to approach conceptions of saga...
In the long-lasting Icelandic manuscript culture, the production and reception of sagas was situated...
Written in the thirteenth century, the Icelandic prose sagas, chronicling the lives of kings and com...
The anthology Oral Art Forms and Their Passage into Writing, from 2008 and edited by Else Mundal and...
The Saga of Yngvarr used to be classified as a Legendary Saga (Fornaldarsaga) on account of its vagu...
Fiction may be imbued with a truth to life which is equal to if not superior in value to any factual...
The paper gives a short look at the development of the oral tradition in Iceland, where passing the ...
Sagas appeared on Scandinavian scholars' horizons around the seventeenth century, when their narrati...
Egil’s Saga invites inquiry about its composition with its unique use of poetry and prose. Its origi...