Add to ORKGA publication resulting from a year-long workshop series for museum professionals, co-produced by Anjalie Dalal-Clayton (UAL Decolonising Arts Institute) and Ilaria Puri Purini (Contemporary Art Society). The book comprises an introduction, series overview and six commissioned essays that reflect critically on the workshops that took place
In this conversation with editors Hanna B. Hölling, Jules Pelta Feldman, and Emilie Magnin, Kelli Mo...
The publication of this work was supported by the Open Access Publication Fund of Humboldt-Universit...
My paper is concerned with decolonising contemporary museological practice, specifically in relation...
There is much published research and strategic rhetoric on decolonising the discipline, the academy,...
The cry for decolonization has echoed throughout the museum world. Although perhaps most audibly hea...
LCC library staged the Decolonising the Arts Curriculum exhibition, in collaboration with the creato...
"Decolonising Museums is the second thematic publication of L'Internationale Online; it addresses co...
This paper draws on the scholarship of contemporary museologists, cultural theorists and other knowl...
This special issue was inspired by the inaugural Consortium Workshop, Race-ing the Museum, funded by...
For the Oncurating Issue 34, we asked artists, theorists, and researches to send us their proposals ...
© 2018 Dr. David Owen HenryThis thesis examines the emergence, practice, and social meaning of inter...
This chapter focuses on feminist anti-racist activism from a decolonial perspective in the field of ...
When, in 2015, students at the University of Cape Town in South Africa demanded the removal of a sta...
Artistic museum intervention has become an established practice since late 1980s and has been used b...
This study examines how an art museum can become more inclusive of different cultural communities an...
In this conversation with editors Hanna B. Hölling, Jules Pelta Feldman, and Emilie Magnin, Kelli Mo...
The publication of this work was supported by the Open Access Publication Fund of Humboldt-Universit...
My paper is concerned with decolonising contemporary museological practice, specifically in relation...
There is much published research and strategic rhetoric on decolonising the discipline, the academy,...
The cry for decolonization has echoed throughout the museum world. Although perhaps most audibly hea...
LCC library staged the Decolonising the Arts Curriculum exhibition, in collaboration with the creato...
"Decolonising Museums is the second thematic publication of L'Internationale Online; it addresses co...
This paper draws on the scholarship of contemporary museologists, cultural theorists and other knowl...
This special issue was inspired by the inaugural Consortium Workshop, Race-ing the Museum, funded by...
For the Oncurating Issue 34, we asked artists, theorists, and researches to send us their proposals ...
© 2018 Dr. David Owen HenryThis thesis examines the emergence, practice, and social meaning of inter...
This chapter focuses on feminist anti-racist activism from a decolonial perspective in the field of ...
When, in 2015, students at the University of Cape Town in South Africa demanded the removal of a sta...
Artistic museum intervention has become an established practice since late 1980s and has been used b...
This study examines how an art museum can become more inclusive of different cultural communities an...
In this conversation with editors Hanna B. Hölling, Jules Pelta Feldman, and Emilie Magnin, Kelli Mo...
The publication of this work was supported by the Open Access Publication Fund of Humboldt-Universit...
My paper is concerned with decolonising contemporary museological practice, specifically in relation...