In 1930 Sinden became part of the Wayang Golek show. This phenomenon is the creativity of the puppeteer Baraja who was not satisfied with the conventional wayang gol~k performance. Finally Sinden presented songs that was entertainment in Wayang Golek show performances. Furthermore, the other puppeteers imitated him and in the end the sind~n and the puppeteers became a unity called the "Dwi Tunggal" who complemented and worked together in the performance. In the beginning, the presence of sind~n in the Waang Golek show gave the famous sind~n in the community. They have the name code (popular name) and the song that characterizes them. T...
AbstractPuppet as a creative product is often interpreted narrowly only in the art of wayang purwa p...
Lakon Brubuh Maèspati: The work of the puppet performance is aimed at presenting one of the stories ...
AbstractThis article discusses the dramatization of the basalisiah event in the Tabuik Pariaman ritu...
ABSTRACT This paper is a study on the potential  of puppet (wayang)  in the scope of Sundanese  ...
Tulisan ini dimaksudkan untuk menjelaskan pengaruh karawitan sebagai salah satu pendukung utama per...
Tulisan ini dimaksudkan untuk menjelaskan pengaruh karawitan sebagai salah satu pendukung utama perg...
This article aims to describe the musical accompaniment in the Menak Sukarno Golek Golek performance...
Abstrak Penelitian ini bertujuan untuk mendeskripsikan: (a) karakteristik kelisanan wayang potehi, (...
ABSTRACT WAYANG BONEKA (PUPPET) WONG AGUNG JAYENGRANA It is about creating a new form of Wa...
Kesenian Wayang Beber yang terdapat di desa Kedompol, kecamatan Donorojo, kabupaten Pacitan Jawa Tim...
This paper presented sind~n as part of the wayang gol~k show in West Java. Before the G30S/P...
ABSTRACT This paper raises  the issue  of meaning  and values contained  in a puppet show spe...
Dalang when displaying the puppet characters are always supported by the musical, so the concept of ...
AbstractThis study suggests the findings of field research on communication made by a puppeteer of W...
Shadow puppet is one of Indonesian traditional arts which has received recognition from UNESCO as a ...
AbstractPuppet as a creative product is often interpreted narrowly only in the art of wayang purwa p...
Lakon Brubuh Maèspati: The work of the puppet performance is aimed at presenting one of the stories ...
AbstractThis article discusses the dramatization of the basalisiah event in the Tabuik Pariaman ritu...
ABSTRACT This paper is a study on the potential  of puppet (wayang)  in the scope of Sundanese  ...
Tulisan ini dimaksudkan untuk menjelaskan pengaruh karawitan sebagai salah satu pendukung utama per...
Tulisan ini dimaksudkan untuk menjelaskan pengaruh karawitan sebagai salah satu pendukung utama perg...
This article aims to describe the musical accompaniment in the Menak Sukarno Golek Golek performance...
Abstrak Penelitian ini bertujuan untuk mendeskripsikan: (a) karakteristik kelisanan wayang potehi, (...
ABSTRACT WAYANG BONEKA (PUPPET) WONG AGUNG JAYENGRANA It is about creating a new form of Wa...
Kesenian Wayang Beber yang terdapat di desa Kedompol, kecamatan Donorojo, kabupaten Pacitan Jawa Tim...
This paper presented sind~n as part of the wayang gol~k show in West Java. Before the G30S/P...
ABSTRACT This paper raises  the issue  of meaning  and values contained  in a puppet show spe...
Dalang when displaying the puppet characters are always supported by the musical, so the concept of ...
AbstractThis study suggests the findings of field research on communication made by a puppeteer of W...
Shadow puppet is one of Indonesian traditional arts which has received recognition from UNESCO as a ...
AbstractPuppet as a creative product is often interpreted narrowly only in the art of wayang purwa p...
Lakon Brubuh Maèspati: The work of the puppet performance is aimed at presenting one of the stories ...
AbstractThis article discusses the dramatization of the basalisiah event in the Tabuik Pariaman ritu...