This issue is dedicated to an exploration of the relationship between theology and imagination. The inspiration for this particular subject arose out of a desire to honour the legacy of the late Rev Prof D. W. D. Shaw, a founding member of the editorial board of Theology in Scotland and the first Editor of the journal. Included in the issue is the text of the first in a series of annual lectures given in recognition of Bill Shaw’s contribution to the field of theology in Scotland
David Efird, the co-editor of this issue, unexpectedly passed away at the beginning of this year. Th...
Tim Duffy places the work of Ian Fraser in the context of Presbyterian culture, and more particularl...
This new regular feature in the journal explores the legacy of the Gifford Lectures in natural theol...
In the first annual D. W. D. Shaw memorial lecture, delivered on 9 February 2022 Prof Paul Fiddes co...
Alison Jack uses works of Scottish literature, both classic and contemporary, as a way into McIntyr...
Alison Jack uses works of Scottish literature, both classic and contemporary, as a way into McIntyre...
What should we be learning from each other, and with each other, in the increasingly post-Christian ...
In my previous blog posts (This Sister now cries out to us, When Mother became Mary, A Composition o...
The co-editors reflect briefly on what has historically been a complex relationship between ecology ...
Dr Deborah Lewer introduces this conversation between herself and Dr Rowan Williams by reflecting on...
Imagining is something that we tend to grasp intuitively, and yet it remains notoriously difficult t...
Theology in Scotland on arts and culture is a new section which we hope will have a regular appearan...
In this presentation I will explore the relation between art and theology from an insider’s perspect...
The editorial board of Theology in Scotland wishes to mark an exceptional contribution of one of the...
This paper describes a creative partnership between a theologian and a poet arranged by the Institut...
David Efird, the co-editor of this issue, unexpectedly passed away at the beginning of this year. Th...
Tim Duffy places the work of Ian Fraser in the context of Presbyterian culture, and more particularl...
This new regular feature in the journal explores the legacy of the Gifford Lectures in natural theol...
In the first annual D. W. D. Shaw memorial lecture, delivered on 9 February 2022 Prof Paul Fiddes co...
Alison Jack uses works of Scottish literature, both classic and contemporary, as a way into McIntyr...
Alison Jack uses works of Scottish literature, both classic and contemporary, as a way into McIntyre...
What should we be learning from each other, and with each other, in the increasingly post-Christian ...
In my previous blog posts (This Sister now cries out to us, When Mother became Mary, A Composition o...
The co-editors reflect briefly on what has historically been a complex relationship between ecology ...
Dr Deborah Lewer introduces this conversation between herself and Dr Rowan Williams by reflecting on...
Imagining is something that we tend to grasp intuitively, and yet it remains notoriously difficult t...
Theology in Scotland on arts and culture is a new section which we hope will have a regular appearan...
In this presentation I will explore the relation between art and theology from an insider’s perspect...
The editorial board of Theology in Scotland wishes to mark an exceptional contribution of one of the...
This paper describes a creative partnership between a theologian and a poet arranged by the Institut...
David Efird, the co-editor of this issue, unexpectedly passed away at the beginning of this year. Th...
Tim Duffy places the work of Ian Fraser in the context of Presbyterian culture, and more particularl...
This new regular feature in the journal explores the legacy of the Gifford Lectures in natural theol...