There are very few examples that have survived of the secular Spanish repertoire that was composed and practiced in the Iberian Peninsula during the second half of the 16th century. This corpus is mainly made up of villancicos and madrigals. This article presents a new musical source, although incomplete, of this repertoire located in the Arxiu Històric de Girona. It is an individual part booklet that contains 13 madrigals, 8 villancicos 1 Neapolitan villanesca and another piece that cannot be classified, seventeen of them being unica. The identified poems belong to Garcilaso de la Vega, Juan Boscán, Jorge de Montemayor and Pêro de Andrade Caminha. The manuscript attributes some musical authorship to Nicasi Sorita, Pedro Ortega and Francisc...
Este artículo desglosa las líneas maestras que determinan la actividad musical en la catedral de San...
Descripción de un documento que consigna un inventario de papeles de música e instrumentos musicales...
Information about the musical chapel in the collegiate church of Orihuela is scarce. Nonetheless the...
This article offers the transcription and critical musical edition of four polyphonic works for four...
El Cancionero musical (ms. 7-1-28) de la Biblioteca Colombina de Sevilla recoge una de las coleccion...
A part-book preserved in the Instituto Español de Musicología, Barcelona, contains over fifty items ...
Chapbook no. 1066 in the Nuevo Diccionario bibliográfico de pliegos sueltos poéticos (s. XVI) includ...
En 1865 llegó a Quito una comisión científica españolaen la que figuraba Marcos Jiménez de la Espada...
La lírica popular de la España del siglo XVIII sigue siendo muy desconocida y muy poco estudiada. Es...
From late 16th century to mid-17th century, at the height of the Spanish Golden Age, music withdrew ...
Établissement et transcription d'un corpus du madrigal dans l’Espagne du Siècle d'Or depuis son appa...
This paper attempts to update some hypothesis and evidences about instrumental composition and perfo...
The little attention paid by copyists and printers to the musical stage directions of the Spanish Si...
This paper offers the edition of one tonada attributed to Mateo Romero (Maestro Capitán, master of t...
Francisco Guerrero (1528-1599), chapel master and polyphonist, represents a real glory for Spain, be...
Este artículo desglosa las líneas maestras que determinan la actividad musical en la catedral de San...
Descripción de un documento que consigna un inventario de papeles de música e instrumentos musicales...
Information about the musical chapel in the collegiate church of Orihuela is scarce. Nonetheless the...
This article offers the transcription and critical musical edition of four polyphonic works for four...
El Cancionero musical (ms. 7-1-28) de la Biblioteca Colombina de Sevilla recoge una de las coleccion...
A part-book preserved in the Instituto Español de Musicología, Barcelona, contains over fifty items ...
Chapbook no. 1066 in the Nuevo Diccionario bibliográfico de pliegos sueltos poéticos (s. XVI) includ...
En 1865 llegó a Quito una comisión científica españolaen la que figuraba Marcos Jiménez de la Espada...
La lírica popular de la España del siglo XVIII sigue siendo muy desconocida y muy poco estudiada. Es...
From late 16th century to mid-17th century, at the height of the Spanish Golden Age, music withdrew ...
Établissement et transcription d'un corpus du madrigal dans l’Espagne du Siècle d'Or depuis son appa...
This paper attempts to update some hypothesis and evidences about instrumental composition and perfo...
The little attention paid by copyists and printers to the musical stage directions of the Spanish Si...
This paper offers the edition of one tonada attributed to Mateo Romero (Maestro Capitán, master of t...
Francisco Guerrero (1528-1599), chapel master and polyphonist, represents a real glory for Spain, be...
Este artículo desglosa las líneas maestras que determinan la actividad musical en la catedral de San...
Descripción de un documento que consigna un inventario de papeles de música e instrumentos musicales...
Information about the musical chapel in the collegiate church of Orihuela is scarce. Nonetheless the...