International audienceThe perceptual importance of timbre variations was inves- tigated in clarinet expressive music performance. Three basic transformations acting on timbre, rhythm and dy- namics and four combinations of them were applied to solo clarinet recordings in order to remove or flatten some of the expressive variations of the performer. Twenty skilled musicians were asked to choose the interpretations they preferred in a pair comparison task. The rankings of the performances were strongly consistent and this, for two different musical excerpts coming from Bach and Mozart pieces. Multidimensional scaling showed that the most prominent factor used by listeners was linked to the tim- bre of the tones
The goal of this project is to investigate pitch-timbre interactions using a two-pronged approach. T...
This dissertation proposes a new concept of timbre saliency as the attention-capturing quality of ti...
Second International Symposium, CMMR 2004, Esbjerg, Denmark, May 26-29, 2004. Revised PapersIn this ...
International audienceMusical interpretation is an intricate process due to the inter- action of the...
International audienceIn a previous study, mechanical and expressive clarinet performances of Bach's...
Discovering the acoustical parameters responsible for musical expression is of fundamental interest ...
International audienceThis study deals with the acoustical factors liable to account for expressiven...
Background. Several empirical studies have shown that performer’s musical intentions are conveyed th...
International audienceThis study investigates the relationships between the control gestures of the ...
Abstract. A digital clarinet played by a human and timed by a metronome was used to record two playi...
a b s t r a c t Timbre as a source of variation in music has become increasingly important in music ...
While listeners' emotional response to music is the subject of numerous studies, less attention is p...
Former studies show that removing brightness temporal variations of tones in an expressive clarinet ...
Seven different performances of a fragment of W. A. Mozart's Concert for Clarinet (K622) were record...
Classical music performers use instruments to transform the symbolic notationof the score into sound...
The goal of this project is to investigate pitch-timbre interactions using a two-pronged approach. T...
This dissertation proposes a new concept of timbre saliency as the attention-capturing quality of ti...
Second International Symposium, CMMR 2004, Esbjerg, Denmark, May 26-29, 2004. Revised PapersIn this ...
International audienceMusical interpretation is an intricate process due to the inter- action of the...
International audienceIn a previous study, mechanical and expressive clarinet performances of Bach's...
Discovering the acoustical parameters responsible for musical expression is of fundamental interest ...
International audienceThis study deals with the acoustical factors liable to account for expressiven...
Background. Several empirical studies have shown that performer’s musical intentions are conveyed th...
International audienceThis study investigates the relationships between the control gestures of the ...
Abstract. A digital clarinet played by a human and timed by a metronome was used to record two playi...
a b s t r a c t Timbre as a source of variation in music has become increasingly important in music ...
While listeners' emotional response to music is the subject of numerous studies, less attention is p...
Former studies show that removing brightness temporal variations of tones in an expressive clarinet ...
Seven different performances of a fragment of W. A. Mozart's Concert for Clarinet (K622) were record...
Classical music performers use instruments to transform the symbolic notationof the score into sound...
The goal of this project is to investigate pitch-timbre interactions using a two-pronged approach. T...
This dissertation proposes a new concept of timbre saliency as the attention-capturing quality of ti...
Second International Symposium, CMMR 2004, Esbjerg, Denmark, May 26-29, 2004. Revised PapersIn this ...