This article seeks to envision a new outlook toward mobility by paying greater attention to how mobility is represented and positioned in Don DeLillo’s narrative works. Through close readings of The Names and Americana, I argue that shifts in the narration—from the first-person to the third-person or from the omniscient narrative to interior monologue—correspond to mobilities of people, information, and culture. I conclude that DeLillo employs literature as a medium to indicate the interconnectivity of textual interactions (transfictionality) in relation to the mobilization of people, culture, and information
Don DeLillo's work has long been concerned with the effacement of the individual consciousness and ...
As the centerpiece of the eighth T2M yearbook, the following interview about representations of mobi...
Over the past twenty years there has been something of a 'mobilities turn' across many disciplines i...
Literature as cultural discourse has always courted mobility. From the nomadic wanderings of the her...
The car as a “mobile chronotope”: Automobility as everyday urban practice in Don DeLillo’s Cosmopoli...
This article, which was published in a special issue of the French journal Profils américains on the...
It is diffcult to provide an insightful overview of Don DeLillo’s fction without commenting upon the...
Mobility has recently become a keyword in discussions of literature and culture. From world-historic...
More than any other major American author, Don DeLillo has examined the manner in which contemporary...
One of the few available books of criticism on the topic, this monograph presents the fullest accoun...
This special section started its life as papers delivered at the American Association of Geographers...
This thesis concerns itself with Don DeLillo s fiction and its relationship to popular culture, espe...
It is important to identify not only various forms of human mobility but also the (re)production of ...
Concept-metaphors of mobility, from fluids to nomads, function as buzzwords in contemporary social t...
Despite publishing his first novel in 1971, and unlike other writers of his generation, Don DeLillo ...
Don DeLillo's work has long been concerned with the effacement of the individual consciousness and ...
As the centerpiece of the eighth T2M yearbook, the following interview about representations of mobi...
Over the past twenty years there has been something of a 'mobilities turn' across many disciplines i...
Literature as cultural discourse has always courted mobility. From the nomadic wanderings of the her...
The car as a “mobile chronotope”: Automobility as everyday urban practice in Don DeLillo’s Cosmopoli...
This article, which was published in a special issue of the French journal Profils américains on the...
It is diffcult to provide an insightful overview of Don DeLillo’s fction without commenting upon the...
Mobility has recently become a keyword in discussions of literature and culture. From world-historic...
More than any other major American author, Don DeLillo has examined the manner in which contemporary...
One of the few available books of criticism on the topic, this monograph presents the fullest accoun...
This special section started its life as papers delivered at the American Association of Geographers...
This thesis concerns itself with Don DeLillo s fiction and its relationship to popular culture, espe...
It is important to identify not only various forms of human mobility but also the (re)production of ...
Concept-metaphors of mobility, from fluids to nomads, function as buzzwords in contemporary social t...
Despite publishing his first novel in 1971, and unlike other writers of his generation, Don DeLillo ...
Don DeLillo's work has long been concerned with the effacement of the individual consciousness and ...
As the centerpiece of the eighth T2M yearbook, the following interview about representations of mobi...
Over the past twenty years there has been something of a 'mobilities turn' across many disciplines i...