POLITICALLY INVOLVED FILMMAKER: ALEKSANDER FORD AND FILM CENSORSHIP IN POLAND AFTER 1945 AFTER World War II civil rights were restricted in Poland as in most of the countries that fell into the zone of Soviet influence. Polish citizens experienced censorship in almost every field of their daily existence. Within the film industry censorship did not function solely as a means of checking final products from the standpoint of ideology. The controlling machine was not only the domain of the Party itself, even though its officials held decisive voice in restricting the autonomy of artists. The highly elaborate system also involved many moviemakers, who often proved to be very efficient in establishing methods of censorship and propaganda within...
The purpose of the paper is to discuss the mechanism of censorship before and after 1990 when the mi...
This research based study was peer reviewed and published in the leading film studies journal in Pol...
My project, "Editing the Socialist Canon: Forming Identity through Censorship in Poland and the GDR ...
POLITICALLY INVOLVED FILMMAKER: ALEKSANDER FORD AND FILM CENSORSHIP IN POLAND AFTER 1945 AFTER World...
This peer-reviewed article had started as a conference speech under the same title delivered by its ...
Poland’s film directors could finally forget about the pressures of complying with government censor...
CINEMA UNDER POLITICAL PRESSURE: A BRIEF OUTLINE OF AUTHORIAL ROLES IN POLISH POST-WAR FEATURE FILM ...
Anna Misiak painted a portrait of Polish censorship – with emphasis placed on the 1970s. While intro...
This thesis provides an in-depth analysis of war films made in Poland between 1945 and 1970. The ...
The present article is a contribution to the history of post-war preventive censorship in the Polish...
The present article is a contribution to the history of post-war preventive censorship in the Polish...
This book introduces a socio-cultural cross-national comparative perspective into film censorship re...
In 1926, in “Myśl Narodowa”, Aleksander Świętochowski wrote among others: “For almost fifty years my...
Breaking the taboo. The earliest cinematic echoes of the March 1968 experiencThe articles author tri...
Tematem mojej pracy jest cenzura filmowa w Stanach Zjednoczonych w latach 20 i 30. XX wieku. W tym o...
The purpose of the paper is to discuss the mechanism of censorship before and after 1990 when the mi...
This research based study was peer reviewed and published in the leading film studies journal in Pol...
My project, "Editing the Socialist Canon: Forming Identity through Censorship in Poland and the GDR ...
POLITICALLY INVOLVED FILMMAKER: ALEKSANDER FORD AND FILM CENSORSHIP IN POLAND AFTER 1945 AFTER World...
This peer-reviewed article had started as a conference speech under the same title delivered by its ...
Poland’s film directors could finally forget about the pressures of complying with government censor...
CINEMA UNDER POLITICAL PRESSURE: A BRIEF OUTLINE OF AUTHORIAL ROLES IN POLISH POST-WAR FEATURE FILM ...
Anna Misiak painted a portrait of Polish censorship – with emphasis placed on the 1970s. While intro...
This thesis provides an in-depth analysis of war films made in Poland between 1945 and 1970. The ...
The present article is a contribution to the history of post-war preventive censorship in the Polish...
The present article is a contribution to the history of post-war preventive censorship in the Polish...
This book introduces a socio-cultural cross-national comparative perspective into film censorship re...
In 1926, in “Myśl Narodowa”, Aleksander Świętochowski wrote among others: “For almost fifty years my...
Breaking the taboo. The earliest cinematic echoes of the March 1968 experiencThe articles author tri...
Tematem mojej pracy jest cenzura filmowa w Stanach Zjednoczonych w latach 20 i 30. XX wieku. W tym o...
The purpose of the paper is to discuss the mechanism of censorship before and after 1990 when the mi...
This research based study was peer reviewed and published in the leading film studies journal in Pol...
My project, "Editing the Socialist Canon: Forming Identity through Censorship in Poland and the GDR ...