DEATH, BIRTH ORDER AND ALEXANDER DOVZHENKO'S CINEMATIC VISIONS "What man shall live and not see death, or save himself from the power of the grave?" -- Psalms 89: 48 ALEXANDER Dovzhenko (1894-1956), one of the pioneers of Soviet filmmaking in the 1920s, created a cinematic universe with three types of death. His villains died "grotesquely," but his heroes experienced "beautiful deaths, without suffering."(1) The filmmaker considered only one type of death an absolute evil: the "senseless death", a category which included "the victims of war."(2) But for Dovzhenko, the loss of life in his films never became the final conclusion. As exemplified by the grandfather's death scene in Earth, dying constituted an integral part of the great chain o...
Regardless of how or where we are born, what unites people of all cultures is the fact everyone even...
Death-related images and thoughts belong to key motives in the works by Dmitrii Merezhkovskii. Biolo...
This paper is a presentation of Nikolai Fedorov’s main and only idea: the abolition of death and the...
A visual essay on four filmmakers: Andrei Tarkovsky, Krystof Kieslowski, Wim Wenders, and Aleksei Ge...
The purpose of this work is to analyze the relation to death by two Russian thinkers: Nikolai Fedoro...
The idea of human mortality and its derived funerary practices seem to be among the most enduring as...
The problem death is essential for the therapeutic hesychastic spirituality, because it is one of pr...
Death was hardly a new subject in the visual arts in the late-nineteenth century, having been depict...
Death is an infallible part of the human life, and what makes humandifferent from all other beings i...
The article comprises an attempt to follow the main idea underlying Andrzej Wajda’s film adaptations...
In order to establish the views on suffering held by the nineteenth-century (1821-1881) Russian nove...
The following work explores the phenomenon of death, one of the oldest questions of mankind. It trac...
The twentieth century saw the emergence of a new episteme of death that fundamentally revolutionized...
© 2020 Institute of History and Archeology of the Ural Branch of RAS. All rights reserved. The artic...
The denial of death and the desire to abolish suffering both empty a person of humanity; Christianit...
Regardless of how or where we are born, what unites people of all cultures is the fact everyone even...
Death-related images and thoughts belong to key motives in the works by Dmitrii Merezhkovskii. Biolo...
This paper is a presentation of Nikolai Fedorov’s main and only idea: the abolition of death and the...
A visual essay on four filmmakers: Andrei Tarkovsky, Krystof Kieslowski, Wim Wenders, and Aleksei Ge...
The purpose of this work is to analyze the relation to death by two Russian thinkers: Nikolai Fedoro...
The idea of human mortality and its derived funerary practices seem to be among the most enduring as...
The problem death is essential for the therapeutic hesychastic spirituality, because it is one of pr...
Death was hardly a new subject in the visual arts in the late-nineteenth century, having been depict...
Death is an infallible part of the human life, and what makes humandifferent from all other beings i...
The article comprises an attempt to follow the main idea underlying Andrzej Wajda’s film adaptations...
In order to establish the views on suffering held by the nineteenth-century (1821-1881) Russian nove...
The following work explores the phenomenon of death, one of the oldest questions of mankind. It trac...
The twentieth century saw the emergence of a new episteme of death that fundamentally revolutionized...
© 2020 Institute of History and Archeology of the Ural Branch of RAS. All rights reserved. The artic...
The denial of death and the desire to abolish suffering both empty a person of humanity; Christianit...
Regardless of how or where we are born, what unites people of all cultures is the fact everyone even...
Death-related images and thoughts belong to key motives in the works by Dmitrii Merezhkovskii. Biolo...
This paper is a presentation of Nikolai Fedorov’s main and only idea: the abolition of death and the...