This study aimed to discourse an important issue related to clarify the role of plastic art in fighting the phenomena of terrorism and radicalism, by making awareness of the public opinion that terrorism aims to threaten the innocuous people and bloodshed of the them, targeting women and children, destroy vital constructions, historical sites and places of worship and making front against extremism in its various forms. Also, the study aimed at attaining the integration of plastic arts and their focus on confronting terrorism, as well as artist’s opinion to confront extremism and terrorism, and emphasizing their quest to renounce violence, extremism and terrorism, in addition to their rejection of all forms of bloodshed that cause destructi...
The notion of violence, one of the leading issues in societal living with its seriousness and its de...
This paper analyses tendencies in debates about cultural representations of terrorism to assume that...
The nature of the relationship between art and terror/ism and why identifications between the two ar...
From the Washington University Senior Honors Thesis Abstracts (WUSHTA), Spring 2018. Published by th...
From the Washington University Office of Undergraduate Research Digest (WUURD), Vol. 13, 05-01-2018....
How can violence as evil be represented in art and what do works of art evoke in the viewer? Two clo...
This article investigates the representational and graphical characteristics of the symbols of terro...
Investigating art practitioners’ responses to violence, this book considers how artists have used ar...
This thesis is an analysis of ‘militant art’ – a type of art activism that is prepared to break the ...
This paper will investigate how contemporary artists who use political violence as a subject matter ...
This paper discusses the body of artwork developed for my thesis series, Aesthetics of Violence, whi...
According to the Latin poet Virgil, art is capable of revealing to us what no science can ever revea...
This study aims to identify the importance of children's drawings in rejecting violence and terroris...
Interwoven with such concepts as defense, resistance and spirituality, resist-ance art represents th...
Art has its own distinct way of being and should not be confused with manifestations of imagination,...
The notion of violence, one of the leading issues in societal living with its seriousness and its de...
This paper analyses tendencies in debates about cultural representations of terrorism to assume that...
The nature of the relationship between art and terror/ism and why identifications between the two ar...
From the Washington University Senior Honors Thesis Abstracts (WUSHTA), Spring 2018. Published by th...
From the Washington University Office of Undergraduate Research Digest (WUURD), Vol. 13, 05-01-2018....
How can violence as evil be represented in art and what do works of art evoke in the viewer? Two clo...
This article investigates the representational and graphical characteristics of the symbols of terro...
Investigating art practitioners’ responses to violence, this book considers how artists have used ar...
This thesis is an analysis of ‘militant art’ – a type of art activism that is prepared to break the ...
This paper will investigate how contemporary artists who use political violence as a subject matter ...
This paper discusses the body of artwork developed for my thesis series, Aesthetics of Violence, whi...
According to the Latin poet Virgil, art is capable of revealing to us what no science can ever revea...
This study aims to identify the importance of children's drawings in rejecting violence and terroris...
Interwoven with such concepts as defense, resistance and spirituality, resist-ance art represents th...
Art has its own distinct way of being and should not be confused with manifestations of imagination,...
The notion of violence, one of the leading issues in societal living with its seriousness and its de...
This paper analyses tendencies in debates about cultural representations of terrorism to assume that...
The nature of the relationship between art and terror/ism and why identifications between the two ar...