International audienceThe presented study is part of a general framework consisting in designing an intuitive control strategy of a generic synthesis model simulating continuous interaction sounds such as scraping, sliding, rolling or rubbing. For that purpose, we need to identify perceptually relevant signal properties mediating the recognition of such sound categories. Some studies tend to suggest the existence of acoustic features related to velocity or periodic modulations but, to our knowledge, the auditory distinction between these interactions is still not well-known and no formal investigations have been conducted so far. This study aimed at presenting a perceptual evaluation method, with brings to the light the differences between ...
International audienceThis paper presents a physically inspired source-filter model for rolling soun...
Abstract. This research, based on the action/object paradigm that pro-poses that sounds result from ...
International audienceEven though we generally don't pay attention to the friction sounds produced w...
International audienceThis research, based on the action/object paradigm that proposes that sounds r...
International audienceIn this paper, we investigate a control strategy of synthesized interaction-so...
International audienceIn this paper, we propose a control strategy for synthesized continuous intera...
International audienceIn this article we explain how perceptual control of synthesis processes can b...
International audienceThis paper presents a rolling sound synthesis model which can be intuitively c...
International audienceThe current study is part of a larger project aiming at offering intuitive map...
Perceptual control (i.e. from evocations) of sound synthesis processes is a current challenge. Indee...
In this paper, we investigate a control strategy of synthesized inter-action-sounds. The framework o...
Perceptual control (i.e. from evocations) of sound synthesis processes is a current challenge. Indee...
International audienceIn this paper, we present the design and the control of a real-time synthesis ...
Un des enjeux actuels de la synthèse sonore est le contrôle perceptif (i.e. à partir d’évocations) d...
International audienceThis paper addresses the question of synthesis and control of sound attributes...
International audienceThis paper presents a physically inspired source-filter model for rolling soun...
Abstract. This research, based on the action/object paradigm that pro-poses that sounds result from ...
International audienceEven though we generally don't pay attention to the friction sounds produced w...
International audienceThis research, based on the action/object paradigm that proposes that sounds r...
International audienceIn this paper, we investigate a control strategy of synthesized interaction-so...
International audienceIn this paper, we propose a control strategy for synthesized continuous intera...
International audienceIn this article we explain how perceptual control of synthesis processes can b...
International audienceThis paper presents a rolling sound synthesis model which can be intuitively c...
International audienceThe current study is part of a larger project aiming at offering intuitive map...
Perceptual control (i.e. from evocations) of sound synthesis processes is a current challenge. Indee...
In this paper, we investigate a control strategy of synthesized inter-action-sounds. The framework o...
Perceptual control (i.e. from evocations) of sound synthesis processes is a current challenge. Indee...
International audienceIn this paper, we present the design and the control of a real-time synthesis ...
Un des enjeux actuels de la synthèse sonore est le contrôle perceptif (i.e. à partir d’évocations) d...
International audienceThis paper addresses the question of synthesis and control of sound attributes...
International audienceThis paper presents a physically inspired source-filter model for rolling soun...
Abstract. This research, based on the action/object paradigm that pro-poses that sounds result from ...
International audienceEven though we generally don't pay attention to the friction sounds produced w...