International audienceIn this paper, we propose a control strategy for synthesized continuous interaction sounds. The framework of our research is based on the \emph{action-object} paradigm that describes the sound as the result of an action on an object and that presumes the existence of sound invariants, i.e. perceptually relevant signal morphologies that carry information about the action's or the object's attributes. Auditory cues are here investigated for the evocations of rubbing, scratching and rolling interactions. A generic sound synthesis model that simulates these interactions is detailed. Then, we propose an intuitive control strategy that enables users to navigate continuously from one interaction to another in an ''action spac...
International audienceThis paper presents a rolling sound synthesis model which can be intuitively c...
International audienceIn this paper, a flexible strategy to control a synthesis model of sounds prod...
International audienceThis paper presents a physically inspired source-filter model for rolling soun...
In this paper, we investigate a control strategy of synthesized inter-action-sounds. The framework o...
International audienceIn this paper, we investigate a control strategy of synthesized interaction-so...
Abstract. This research, based on the action/object paradigm that pro-poses that sounds result from ...
International audienceThis research, based on the action/object paradigm that proposes that sounds r...
Perceptual control (i.e. from evocations) of sound synthesis processes is a current challenge. Indee...
Perceptual control (i.e. from evocations) of sound synthesis processes is a current challenge. Indee...
In this paper, a flexible control strategy for a synthesis model dedicated to nonlinear friction phe...
International audienceThe presented study is part of a general framework consisting in designing an ...
International audienceThis paper presents a new synthesis approach for generating contact sounds for...
In this paper, we introduce some exploratory ideas and applications involving the gestural control o...
Abstract — The role of continuous auditory feedback in multimodal embodied interfaces is advocated. ...
This paper explores the use of a physics-based sound model of continuous contact for auditory displa...
International audienceThis paper presents a rolling sound synthesis model which can be intuitively c...
International audienceIn this paper, a flexible strategy to control a synthesis model of sounds prod...
International audienceThis paper presents a physically inspired source-filter model for rolling soun...
In this paper, we investigate a control strategy of synthesized inter-action-sounds. The framework o...
International audienceIn this paper, we investigate a control strategy of synthesized interaction-so...
Abstract. This research, based on the action/object paradigm that pro-poses that sounds result from ...
International audienceThis research, based on the action/object paradigm that proposes that sounds r...
Perceptual control (i.e. from evocations) of sound synthesis processes is a current challenge. Indee...
Perceptual control (i.e. from evocations) of sound synthesis processes is a current challenge. Indee...
In this paper, a flexible control strategy for a synthesis model dedicated to nonlinear friction phe...
International audienceThe presented study is part of a general framework consisting in designing an ...
International audienceThis paper presents a new synthesis approach for generating contact sounds for...
In this paper, we introduce some exploratory ideas and applications involving the gestural control o...
Abstract — The role of continuous auditory feedback in multimodal embodied interfaces is advocated. ...
This paper explores the use of a physics-based sound model of continuous contact for auditory displa...
International audienceThis paper presents a rolling sound synthesis model which can be intuitively c...
International audienceIn this paper, a flexible strategy to control a synthesis model of sounds prod...
International audienceThis paper presents a physically inspired source-filter model for rolling soun...