This article begins and ends in the question of seeing beyond a mere representation. Drawing on the history of image representations of war, I ask what we can see in images that show very little. The question of seeing stems from Georges Didi-Huberman’s contemplation on the bark from Birkenau and I suggest that his view on seeing could be employed in a wider context. I argue that an alternative view of representations of war and suffering is possible when the motif does not show much since images are far more complex than a superficial deciphering reveals. This article begins and ends in the question of seeing beyond a mere representation. Drawing on the history of image representations of war, I ask what we can see in images that show...
At the intersection of aesthetics and the philosophy of perception lies a problem about representati...
Visualizing and mental imagery are thought to be cognitive states by all sides of the imagery debate...
This article explores the relationships between war and representation through the use of visual ima...
Bonniers Konsthall inaugurates September 19th The Image of War, an exhibition that looks at the trip...
The paper investigates two possible critical arguments following the pictorial turn. The first is fo...
Contemporary warfare, especially from a Western point of view, is more and more an issue of distance...
Wars, having negative effects on local, national and global scales, violate the fundamental rights o...
In this article, I consider images from a philosophical point of view, starting from its definition ...
In our wired world, visual images of military conflict and political strife are ubiquitous. Far less...
In the age of digital media how might we speak about images of torture, and how might we regard the ...
This article questions the value of photographs of violence and suffering. Taking Nancy Scheper-Hugh...
Photographs speak to us silently across cultures and spaces and we see ourselves as reflected in the...
Wars, having negative effects on local, national and global scales, violate the fundamental rights o...
The predominant approach in visual studies, explicitly focusing on how vision is socioculturally con...
This article examines the changing ethics of war photojournalism. It provides a review of the major ...
At the intersection of aesthetics and the philosophy of perception lies a problem about representati...
Visualizing and mental imagery are thought to be cognitive states by all sides of the imagery debate...
This article explores the relationships between war and representation through the use of visual ima...
Bonniers Konsthall inaugurates September 19th The Image of War, an exhibition that looks at the trip...
The paper investigates two possible critical arguments following the pictorial turn. The first is fo...
Contemporary warfare, especially from a Western point of view, is more and more an issue of distance...
Wars, having negative effects on local, national and global scales, violate the fundamental rights o...
In this article, I consider images from a philosophical point of view, starting from its definition ...
In our wired world, visual images of military conflict and political strife are ubiquitous. Far less...
In the age of digital media how might we speak about images of torture, and how might we regard the ...
This article questions the value of photographs of violence and suffering. Taking Nancy Scheper-Hugh...
Photographs speak to us silently across cultures and spaces and we see ourselves as reflected in the...
Wars, having negative effects on local, national and global scales, violate the fundamental rights o...
The predominant approach in visual studies, explicitly focusing on how vision is socioculturally con...
This article examines the changing ethics of war photojournalism. It provides a review of the major ...
At the intersection of aesthetics and the philosophy of perception lies a problem about representati...
Visualizing and mental imagery are thought to be cognitive states by all sides of the imagery debate...
This article explores the relationships between war and representation through the use of visual ima...