There is a reasonable scholarly consensus that the long (“heroic”) line of Sir Thomas Wyatt is an iambic pentameter. However, a significant number of his long lines are apparently syllabically hypometrical, calling into question this interpretation. The doubt is further compounded by Wyatt’s nontrivial use of phrase-medial inversions. I argue that it is nonetheless possible to infer an iambic pentameter intention behind Wyatt’s syllabically hypometrical lines, which can be ‘repaired’ by medial catalexis. Syllabically canonical lines are known to favour major prosodic breaks (Intonational Phrase boundaries) between the second and third foot and, to some extent, between the third and fourth. On the assumption that medial catalexis exploits th...
Wagner P. Two Sides of the Same Coin? Investigating Iambic and Trochaic Timing and Prominence in Ger...
This article reviews the isomorphism which may or may not have existed between the speech-prosodic p...
The C version of Piers Plowman has yet to earn much attention from metrists relative to the outgrowt...
The Early New English iambic pentameter was re-created by Wyatt and Surrey in the first half of the ...
textThis study contributes to the search for metrical order in the 90,000 extant long lines of the l...
The contention of the essay which follows is that the presumption that Wyatt's rhythm can be judged ...
Iambic pentameter is the meter in which Shakespeare wrote the vast majority of his poetical works. T...
This paper explores the implications of Ants Oras’s Pause Patterns in Elizabethan and Jacobean Drama...
In this paper I discuss the distribution of grammatical monosyllables in the iambic pentameter line....
In this brief article, Professor Daalder discusses a number of instances where the punctuation of Mu...
Abstract: At the rise of the English Renaissance, Thomas Wyatt introduced from Italy the Petrarchan ...
The author discusses the sense of Wyatt's verse, particularly in its syntax, and how it sometimes of...
A decade ago, Thomas A. Bredehoft designed a new theory of Old English metre that classified Ælfric ...
In this paper I discuss the distribution of grammatical monosyllables in the iambic pentameter line....
The essay deals with Fletcher’s versification compared to his contemporaries and co-authors. Fletche...
Wagner P. Two Sides of the Same Coin? Investigating Iambic and Trochaic Timing and Prominence in Ger...
This article reviews the isomorphism which may or may not have existed between the speech-prosodic p...
The C version of Piers Plowman has yet to earn much attention from metrists relative to the outgrowt...
The Early New English iambic pentameter was re-created by Wyatt and Surrey in the first half of the ...
textThis study contributes to the search for metrical order in the 90,000 extant long lines of the l...
The contention of the essay which follows is that the presumption that Wyatt's rhythm can be judged ...
Iambic pentameter is the meter in which Shakespeare wrote the vast majority of his poetical works. T...
This paper explores the implications of Ants Oras’s Pause Patterns in Elizabethan and Jacobean Drama...
In this paper I discuss the distribution of grammatical monosyllables in the iambic pentameter line....
In this brief article, Professor Daalder discusses a number of instances where the punctuation of Mu...
Abstract: At the rise of the English Renaissance, Thomas Wyatt introduced from Italy the Petrarchan ...
The author discusses the sense of Wyatt's verse, particularly in its syntax, and how it sometimes of...
A decade ago, Thomas A. Bredehoft designed a new theory of Old English metre that classified Ælfric ...
In this paper I discuss the distribution of grammatical monosyllables in the iambic pentameter line....
The essay deals with Fletcher’s versification compared to his contemporaries and co-authors. Fletche...
Wagner P. Two Sides of the Same Coin? Investigating Iambic and Trochaic Timing and Prominence in Ger...
This article reviews the isomorphism which may or may not have existed between the speech-prosodic p...
The C version of Piers Plowman has yet to earn much attention from metrists relative to the outgrowt...