Online digital music libraries have become important repositories for music for all enthusiasts of Irish traditional music. These libraries have certainly facilitated the discovery of new material and enabled extensive exploration of musical variations on wellknown favorites. Current web interfaces to these repositories, offer a combination of text and notation-based information as well as providing audio and midi listening formats. However, these interfaces could take advantage of more recently available technologies offering graph-based, interactive, visual displays and more useful data analytic content. Drawing on the state-of the-art data visualization web libraries, the objective of this work is to present a prototy...
In musicology and music research generally, the increasing availability of digital music, storage ca...
Currents estimates put the canon of traditional Irish dance tunes at least 7,000 compositions. Given...
The Web and other digital technologies have democratised music creation, reception, and analysis, pu...
Online digital music libraries have become important repositories for music for all enthusiasts of...
This paper presents our initial work on collection of recordings and related metadata with a view to...
In this presentation, we provide an overview of the contents and development of The Séamus Connolly ...
This paper describes TunePal, a tool which facilitates convenient audio access to archive transcript...
In this paper we present Tunepal, a search engine and music retrieval tool for traditional musicians...
We describe the design and deployment of the first system ever to dynamically track and publish reco...
Digital libraries of music have the potential to capture popular imagination in ways that more schol...
In the past ten years, a number of digital projects have demonstrated the possibilities afforded by ...
The paper gives a description of an important mid nineteenth-century manuscript Irish music collecti...
LITMUS (Linked Irish Traditional Music) is a two-year cultural heritage linked data project at the I...
As a global phenomenon, Irish traditional music has a tremendous following, while practitioners of I...
Divided between a prototype digital resource and a written companion, this research implements and e...
In musicology and music research generally, the increasing availability of digital music, storage ca...
Currents estimates put the canon of traditional Irish dance tunes at least 7,000 compositions. Given...
The Web and other digital technologies have democratised music creation, reception, and analysis, pu...
Online digital music libraries have become important repositories for music for all enthusiasts of...
This paper presents our initial work on collection of recordings and related metadata with a view to...
In this presentation, we provide an overview of the contents and development of The Séamus Connolly ...
This paper describes TunePal, a tool which facilitates convenient audio access to archive transcript...
In this paper we present Tunepal, a search engine and music retrieval tool for traditional musicians...
We describe the design and deployment of the first system ever to dynamically track and publish reco...
Digital libraries of music have the potential to capture popular imagination in ways that more schol...
In the past ten years, a number of digital projects have demonstrated the possibilities afforded by ...
The paper gives a description of an important mid nineteenth-century manuscript Irish music collecti...
LITMUS (Linked Irish Traditional Music) is a two-year cultural heritage linked data project at the I...
As a global phenomenon, Irish traditional music has a tremendous following, while practitioners of I...
Divided between a prototype digital resource and a written companion, this research implements and e...
In musicology and music research generally, the increasing availability of digital music, storage ca...
Currents estimates put the canon of traditional Irish dance tunes at least 7,000 compositions. Given...
The Web and other digital technologies have democratised music creation, reception, and analysis, pu...