International audienceThis paper presents a model for Collective Free Improvisation (CFI), a form of improvisation that can be defined as referent-free. While very simple, it captures some interesting mechanisms of CFI. We use two variables: the intention and the objective. Both variables are used to describe the production and organization of the improvisers' signals. Using a system of Landau equations, we propose a non-linear dynamics for the intention evolving on a short timescale while the objective evolves on a long timescale. In this paper, the model is used to determine if, and within which conditions, a collective structure can emerge from CFI
International audienceWhat is the nature of the musical experience offered by collective free improv...
International audienceThis paper presents the authors' first attempt at a new (and unexpected) exerc...
International audienceThis title quote from saxophonist Tony Malaby illustrates musicians’ experienc...
International audienceThis paper presents a model for Collective Free Improvisation (CFI), a form of...
International audienceCollective Free Improvisation (CFI) is a very challenging form of improvisatio...
International audienceThis paper proposes a first attempt to study quantitatively Collective Free Im...
The aim of this doctoral project has been to study so-called non-idiomatic improvisation in ensemble...
This paper investigates free improvisation from the perspectives offered by cognitive distribution t...
This thesis deals with a specific class of musically improvised phenomenons : the one's that are pro...
International audienceWhen musicians improvise together, they tend to agree beforehand on a common s...
Gestural Improvisation is a type of free improvisation that aims to create short and long-term relat...
A significant part of the work of orchestras that interpret composed music is aimed at optimizing th...
This article discusses the design and evaluation of an artificial agent for collaborative musical fr...
We discuss the connection between free-jazz music and service-oriented computing, and advance a meth...
International audienceFree improvisation is often presented as a form of musical creation where prel...
International audienceWhat is the nature of the musical experience offered by collective free improv...
International audienceThis paper presents the authors' first attempt at a new (and unexpected) exerc...
International audienceThis title quote from saxophonist Tony Malaby illustrates musicians’ experienc...
International audienceThis paper presents a model for Collective Free Improvisation (CFI), a form of...
International audienceCollective Free Improvisation (CFI) is a very challenging form of improvisatio...
International audienceThis paper proposes a first attempt to study quantitatively Collective Free Im...
The aim of this doctoral project has been to study so-called non-idiomatic improvisation in ensemble...
This paper investigates free improvisation from the perspectives offered by cognitive distribution t...
This thesis deals with a specific class of musically improvised phenomenons : the one's that are pro...
International audienceWhen musicians improvise together, they tend to agree beforehand on a common s...
Gestural Improvisation is a type of free improvisation that aims to create short and long-term relat...
A significant part of the work of orchestras that interpret composed music is aimed at optimizing th...
This article discusses the design and evaluation of an artificial agent for collaborative musical fr...
We discuss the connection between free-jazz music and service-oriented computing, and advance a meth...
International audienceFree improvisation is often presented as a form of musical creation where prel...
International audienceWhat is the nature of the musical experience offered by collective free improv...
International audienceThis paper presents the authors' first attempt at a new (and unexpected) exerc...
International audienceThis title quote from saxophonist Tony Malaby illustrates musicians’ experienc...