The territory of the home is not only regarded in terms of physical space but also in terms of human affection and influence. The status of women within the social structure of their families and/or communities is paralleled as well as informed by their position in the physical structure of their houses and homes. An Indian woman is yet to seek an identity as a human being with equal status in the family in which she is born and in the family to which she is given in marriage. This research attempts to make a study of Manju Kapur’s novel Home to reveal many issues deeply rooted within a family and explore the dynamics of relationships that prevail in an Indian home. Nisha, the protagonist in the novel, tries to subvert age-old traditional n...
Cultural schizophrenia, psychological imbalances and social crisis that a diasporic writer suffers d...
In an age of virtual reality, cyberspace, and migration of global proportions, the very possibility...
The patriarchal Indian society never ever accepted the homoerotic notions of any manner, even in lit...
Traditions and conventions go a long way in the socialization and conditioning of an Indian wo...
Home by Manju Kapur is a novel in which the protagonist is an educated middle class woman who fights...
Manju Kapur is feminist who has very different style from her current authors towards feminism and t...
Feminism is one of the emerging trends these days in literature. We witness scores of writers who ha...
In an epoch which has to do fundamentally with space, the concept of home has entered the epistemic ...
Manju Kapur is a versatile author, and all of her novels portray the true and authentic picture of h...
Manju Kapur is an Indian novelist. She was born on 25th October 1948. She is an archetypal represent...
Home is where the heart is and has reverberated across history for ages. A home is a place where eve...
Manju Kapur’s women are the personification of ‘New Woman’ representing the new voice of new social ...
“One is not born, but rather becomes woman. No biological, psychological or economic fate determines...
‘A Married Woman’ is a genuine work of Manju Kapur, which tells the story of honest love, set at a t...
The institution of family is considered essential for the existence of society. Family serves as a s...
Cultural schizophrenia, psychological imbalances and social crisis that a diasporic writer suffers d...
In an age of virtual reality, cyberspace, and migration of global proportions, the very possibility...
The patriarchal Indian society never ever accepted the homoerotic notions of any manner, even in lit...
Traditions and conventions go a long way in the socialization and conditioning of an Indian wo...
Home by Manju Kapur is a novel in which the protagonist is an educated middle class woman who fights...
Manju Kapur is feminist who has very different style from her current authors towards feminism and t...
Feminism is one of the emerging trends these days in literature. We witness scores of writers who ha...
In an epoch which has to do fundamentally with space, the concept of home has entered the epistemic ...
Manju Kapur is a versatile author, and all of her novels portray the true and authentic picture of h...
Manju Kapur is an Indian novelist. She was born on 25th October 1948. She is an archetypal represent...
Home is where the heart is and has reverberated across history for ages. A home is a place where eve...
Manju Kapur’s women are the personification of ‘New Woman’ representing the new voice of new social ...
“One is not born, but rather becomes woman. No biological, psychological or economic fate determines...
‘A Married Woman’ is a genuine work of Manju Kapur, which tells the story of honest love, set at a t...
The institution of family is considered essential for the existence of society. Family serves as a s...
Cultural schizophrenia, psychological imbalances and social crisis that a diasporic writer suffers d...
In an age of virtual reality, cyberspace, and migration of global proportions, the very possibility...
The patriarchal Indian society never ever accepted the homoerotic notions of any manner, even in lit...