Ask
Search
My library
ORKG

ORKG Ask

Our mission is to organize scholarly knowledge and make it accessible to humans and machines.

About

About ORKG Ask
Report issue
Statistics
Contact

Legal

Terms of use
Data protection (sheet)
Imprint
Accessibility
License

Technical

We
open source
System status
Changelog
Frontend: v1.41.0
Backend: v1.13.4

We use cookies to provide a better user experience.

Data Protection

Taking positions - figurative sculpture and the Third Reich: Henry Moore Institute, Leeds

Hudson, John

Publication date

May 2001

Publisher

Culture Wars

Language

English

Abstract

Review of an exhibition of figurative sculpture at the Henry Moore Institute, Leeds, 2001

Extracted data

Related items

Democratic Humanism in German Painting, 1945-1949: Cultural Division and Public Reception

Graham-Dixon, Francis

January 2008

This article addresses the immediate post-war debates surrounding artistic production and more speci...

Riefesel, Jacob

September 2021

My research project will explore the different types of propaganda art and their effects and influen...

Die Ästhetik des Dritten Reiches

Turek, Aidan

April 2020

The specter of fascism haunts democracies the world over, leading to valuable new research into the ...

Authority and Ambiguity: Three Sculptors in National Socialist Germany

Nina Lübbren (16657284)

September 2018

The artistic range of responses to authoritarian regimes has varied from utter conformism, as exempl...

Arno Breker's Wounded Man : capturing the essence of totalitarianism

Terry, Devon

January 2019

One of the prizes for the 2020 Undergraduate Research Project Contest was awarded for this paper by ...

Oskar Hansen, Henry Moore and the Auschwitz Memorial debates in Poland, 1958-59

Murawska-Muthesius, Kasia

Book synopsis: The notion that the practice of abstraction was confined to Western Europe while a st...

Quantifying Hitler’s Salon: A Statistical Analysis of Subjects at the Great German Art Exhibition, 1937-1944

Jung, Patrick J.

July 2021

In recent decades, scholars have reassessed earlier historical interpretations that argued Germanart...

The Nazi Aesthetic: Nuance and Contradiction in Systematic Art Theft and Collection Efforts

Namon, Katharine J.

April 2022

Nazi art collecting and looting was a strong and persistent undercurrent throughout World War II. Th...

Nazi Exhibition Design and Modernism

Tymkiw, Michael

May 2018

In one of the most comprehensive analyses ever written on the subject, Michael Tymkiw reassesses the...

Creative Expression: An Imminent Clash as Experienced by Three Artists

Goodhue, Laura

January 2005

Thesis advisor: Judith BookbinderThe Nazis arranged an exhibition of "degenerate" art (Entartete Kun...

The object sculpture

Wilson, K.
Rehberger, T.
Tuerlinckx, J.
Wilson, K.
Rehberger, T.
Tuerlinckx, J.

January 2002

Wilson co-curated an international survey exhibition of 30 sculptures past and present, each work by...

The art and architecture of Nazi Germany: 1933-39

Carter, R. M.

January 1976

This thesis consists of two major sections. The first part is a description of the intellectual fram...

New Urbanism and Nazi Germany : a comparative study of neotraditional community design and the Third Reich

Ezzell, Timothy P.

May 2002

At the 1937 Paris exposition, representatives of Nazi Germany erected a grand pavilion to display th...

Constraints on Art During the Nazi Era and the Shift to Modern Art After World War II

Spencer, Aria

September 2021

Due to the severe anti-Semitic beliefs expressed by the Nazi Regime both during and before World War...

A comparative study of state art policies : institutional practices and exhibition organisation in Britain and Germany c.1945-51 with particular attention to the cultural policies of the British-occupied zone of North West Germany during these years

Davies, Veronica

January 2005

This thesis is a comparative study of state policies and institutional practices relating to art in ...

Democratic Humanism in German Painting, 1945-1949: Cultural Division and Public Reception

Graham-Dixon, Francis

January 2008

This article addresses the immediate post-war debates surrounding artistic production and more speci...

Riefesel, Jacob

September 2021

My research project will explore the different types of propaganda art and their effects and influen...

Die Ästhetik des Dritten Reiches

Turek, Aidan

April 2020

The specter of fascism haunts democracies the world over, leading to valuable new research into the ...

Authority and Ambiguity: Three Sculptors in National Socialist Germany

Nina Lübbren (16657284)

September 2018

The artistic range of responses to authoritarian regimes has varied from utter conformism, as exempl...

Arno Breker's Wounded Man : capturing the essence of totalitarianism

Terry, Devon

January 2019

One of the prizes for the 2020 Undergraduate Research Project Contest was awarded for this paper by ...

Oskar Hansen, Henry Moore and the Auschwitz Memorial debates in Poland, 1958-59

Murawska-Muthesius, Kasia

Book synopsis: The notion that the practice of abstraction was confined to Western Europe while a st...

Quantifying Hitler’s Salon: A Statistical Analysis of Subjects at the Great German Art Exhibition, 1937-1944

Jung, Patrick J.

July 2021

In recent decades, scholars have reassessed earlier historical interpretations that argued Germanart...

The Nazi Aesthetic: Nuance and Contradiction in Systematic Art Theft and Collection Efforts

Namon, Katharine J.

April 2022

Nazi art collecting and looting was a strong and persistent undercurrent throughout World War II. Th...

Nazi Exhibition Design and Modernism

Tymkiw, Michael

May 2018

In one of the most comprehensive analyses ever written on the subject, Michael Tymkiw reassesses the...

Creative Expression: An Imminent Clash as Experienced by Three Artists

Goodhue, Laura

January 2005

Thesis advisor: Judith BookbinderThe Nazis arranged an exhibition of "degenerate" art (Entartete Kun...

The object sculpture

Wilson, K.
Rehberger, T.
Tuerlinckx, J.
Wilson, K.
Rehberger, T.
Tuerlinckx, J.

January 2002

Wilson co-curated an international survey exhibition of 30 sculptures past and present, each work by...

The art and architecture of Nazi Germany: 1933-39

Carter, R. M.

January 1976

This thesis consists of two major sections. The first part is a description of the intellectual fram...

New Urbanism and Nazi Germany : a comparative study of neotraditional community design and the Third Reich

Ezzell, Timothy P.

May 2002

At the 1937 Paris exposition, representatives of Nazi Germany erected a grand pavilion to display th...

Constraints on Art During the Nazi Era and the Shift to Modern Art After World War II

Spencer, Aria

September 2021

Due to the severe anti-Semitic beliefs expressed by the Nazi Regime both during and before World War...

A comparative study of state art policies : institutional practices and exhibition organisation in Britain and Germany c.1945-51 with particular attention to the cultural policies of the British-occupied zone of North West Germany during these years

Davies, Veronica

January 2005

This thesis is a comparative study of state policies and institutional practices relating to art in ...

Democratic Humanism in German Painting, 1945-1949: Cultural Division and Public Reception

Graham-Dixon, Francis

January 2008

This article addresses the immediate post-war debates surrounding artistic production and more speci...

Riefesel, Jacob

September 2021

My research project will explore the different types of propaganda art and their effects and influen...

Die Ästhetik des Dritten Reiches

Turek, Aidan

April 2020

The specter of fascism haunts democracies the world over, leading to valuable new research into the ...