This thesis explores the perceived identification between reader and central character in a selection of E. M. Delafield’s and E. H. Young’s inter-war novels. These domestic middlebrow novels cleverly seduce the reader into believing that the world they are presented with in the book is real life. The authors mirrored their readers in the creation of their characters and so the reader is absorbed in an expertly contained and controlled aspirational fantasy. The authors encourage their reader’s identification with the characters in a variety of means which are examined through close textual analysis. A key source of information in this study comes from contemporary criticism, reviews and debate. This thesis returns to the material history of...
[About the book] Volume 2 examines the period from1750-1820, which was a crucial period in the de...
The principal concern of this thesis is the extent to which male and female characters in Thomas Har...
I read Middlemarch for the first time in the Everyman\u27s Library edition of 1930, a trim book in t...
My project has been to examine how the hierarchical structures of taste implied by the term 'middleb...
This essay strives to explain Wodehouse’s status as a popular writer, whose work is read with enjoym...
Thesis (Ph.D.)--University of Washington, 2020Novel Aspirations: Sophistication and Speech in Britis...
This study reopens the conversation regarding Jane Austen\u27s Northanger Abbey and its relationsh...
This thesis is concerned with the question of what qualities of fictional characters middlebrow read...
It is a curious fact that when a writer has attained to a certain eminence, we English cease to both...
This thesis examines the relationship between romance and Max Weber’s narrative of the disenchantmen...
My paper focuses on Delafield’s 1931 novel, Challenge to Clarissa and investigates one of the ways i...
This thesis elucidates some of the ways in which concerns about the status of ‘the book’ at the end ...
The first half of the twentieth century saw the rise of a new type of novel that straddled the divid...
This thesis examines debates about the value of women's writing and the definition, and perception o...
Typically pegged as an author of suspense fiction or crime writing, this dissertation argues that en...
[About the book] Volume 2 examines the period from1750-1820, which was a crucial period in the de...
The principal concern of this thesis is the extent to which male and female characters in Thomas Har...
I read Middlemarch for the first time in the Everyman\u27s Library edition of 1930, a trim book in t...
My project has been to examine how the hierarchical structures of taste implied by the term 'middleb...
This essay strives to explain Wodehouse’s status as a popular writer, whose work is read with enjoym...
Thesis (Ph.D.)--University of Washington, 2020Novel Aspirations: Sophistication and Speech in Britis...
This study reopens the conversation regarding Jane Austen\u27s Northanger Abbey and its relationsh...
This thesis is concerned with the question of what qualities of fictional characters middlebrow read...
It is a curious fact that when a writer has attained to a certain eminence, we English cease to both...
This thesis examines the relationship between romance and Max Weber’s narrative of the disenchantmen...
My paper focuses on Delafield’s 1931 novel, Challenge to Clarissa and investigates one of the ways i...
This thesis elucidates some of the ways in which concerns about the status of ‘the book’ at the end ...
The first half of the twentieth century saw the rise of a new type of novel that straddled the divid...
This thesis examines debates about the value of women's writing and the definition, and perception o...
Typically pegged as an author of suspense fiction or crime writing, this dissertation argues that en...
[About the book] Volume 2 examines the period from1750-1820, which was a crucial period in the de...
The principal concern of this thesis is the extent to which male and female characters in Thomas Har...
I read Middlemarch for the first time in the Everyman\u27s Library edition of 1930, a trim book in t...