Camera and light in Gaspar Noé's cinema

Diplomski rad “Kamera i svjetlo u filmovima Gaspara Noéa” opisuje redateljevu specifičnu estetiku kroz njegova tri najuspjelija filma - Nepovratno, Ulaz u prazninu i Klimaks. Ta je estetika postignuta neuobičajenim korištenjem pokretne kamere kojom upravlja sam Noé, te ekspresivnim filmskim svjetlom za koje je zaslužan direktor fotografije Benoît Debie. U radu se također nastoje detektirati i kratko predstaviti filmski uzori koji su utjecali na ovu estetiku.The thesis “Camera and light in Gaspar Noé's cinema” describes the directors specific aesthetic through three of his most successful movies - Irreversible, Enter the Void and Climax. This aesthetic is achieved with unusual camera movement operated by Noé himself, and also with expressive film lighting designed by the director of photography Benoît Debie. The thesis also detects and shortly introduces movies which influenced this aesthetic