Add to ORKGFrom a distance of ten feet or so, Monet\u27s brushstrokes blend to yield a convincing view of the Seine and the pleasure boats that drew tourists to Argenteuil. Up close, however, each dab of paint is distinct, and the scene dissolves into a mosaic of paint -- brilliant, unblended tones of blue, red, green, yellow. In the water, quick, fluid skips of the brush mimic the lapping surface. In the trees, thicker paint is applied with denser, stubbier strokes.https://digitalcommons.usf.edu/saskia/4233/thumbnail.jp
Photograph of Chenonceaux, France. In the foreground, a draw bridge is visible. Trees are visible in...
Many consider Van Gogh\u27s Arles period to be the most creative of his career. Indeed, many of Van ...
The lower third of the painting follows a bridge extending over water, at the far end of which are t...
From a distance of ten feet or so, Monet\u27s brushstrokes blend to yield a convincing view of the S...
Whereas Manet gained effect by sparkling accents standing out against low tones in his open-air pict...
The monumentality of the famous cliffs at the coastal resort of Etretat in Normandy is not typical o...
Date of Report: July 2002 Rev. 4/4/16 db #21 on frame, purchased 1-17-1964, Impression, Waterscape, ...
Trees, figures, water, sailoatshttps://digitalcommons.usf.edu/saskia/4153/thumbnail.jp
A body of water is crossed with a bridge and buildings in the background are reflected in the water....
This shows a wintry early morning view towards two of the narrow islands of trees at Bennecourt near...
Oil on canvas of Pont Henry IV (Parisian bridge over the Seine with statue of Henry IV in backgrou...
Caption: "Claude Monet first came to London in 1870 and remained a regular visitor. In 1899 he deci...
Caption: "Claude Monet first came to London in 1870 and remained a regular visitor. In 1899 he deci...
View of the back of Claude Monet's house, from the country lane that runs past it; Monet, Alice Hosc...
As the 1870s began, Monet continued his pursuit of natural phenomena. In order to avoid the Franco-G...
Photograph of Chenonceaux, France. In the foreground, a draw bridge is visible. Trees are visible in...
Many consider Van Gogh\u27s Arles period to be the most creative of his career. Indeed, many of Van ...
The lower third of the painting follows a bridge extending over water, at the far end of which are t...
From a distance of ten feet or so, Monet\u27s brushstrokes blend to yield a convincing view of the S...
Whereas Manet gained effect by sparkling accents standing out against low tones in his open-air pict...
The monumentality of the famous cliffs at the coastal resort of Etretat in Normandy is not typical o...
Date of Report: July 2002 Rev. 4/4/16 db #21 on frame, purchased 1-17-1964, Impression, Waterscape, ...
Trees, figures, water, sailoatshttps://digitalcommons.usf.edu/saskia/4153/thumbnail.jp
A body of water is crossed with a bridge and buildings in the background are reflected in the water....
This shows a wintry early morning view towards two of the narrow islands of trees at Bennecourt near...
Oil on canvas of Pont Henry IV (Parisian bridge over the Seine with statue of Henry IV in backgrou...
Caption: "Claude Monet first came to London in 1870 and remained a regular visitor. In 1899 he deci...
Caption: "Claude Monet first came to London in 1870 and remained a regular visitor. In 1899 he deci...
View of the back of Claude Monet's house, from the country lane that runs past it; Monet, Alice Hosc...
As the 1870s began, Monet continued his pursuit of natural phenomena. In order to avoid the Franco-G...
Photograph of Chenonceaux, France. In the foreground, a draw bridge is visible. Trees are visible in...
Many consider Van Gogh\u27s Arles period to be the most creative of his career. Indeed, many of Van ...
The lower third of the painting follows a bridge extending over water, at the far end of which are t...