Add to ORKGThe Madonna appears on the panel as the Queen of the Heaven and Siena. In the foreground the four patron saints of Siena are knneeling: Sts Ansanus, Savinus, Crescentius and Victor. The Latin inscription on the base of the throne contains the name of the painter. The painting ornamented the high altar of the Cathedral of Siena until 1505. Later the predella pictures were separated and the original fame was lost.https://digitalcommons.usf.edu/saskia/2522/thumbnail.jp
Sassetta, the subtle genius from Siena, revolutionized Italian painting with an altarpiece for the s...
Since its incorporation into Siena's first public art collection early in the nineteenth century, th...
Una delle opere un tempo celebri di Simone Martini è da tempo scomparsa. Era un affresco visibile pu...
In 1308 the city of Siena commissioned Duccio to produce a panel for the cathedralhttps://digitalcom...
Celebrating the Virgin Mary as both an object of religious affection and a focus of civic pride, art...
The iconography represents the Madonna enthroned with Child and angels. In the lower part are four b...
The iconography represents the Madonna enthroned with Child and angels. In the lower part are four b...
The last restoration of Simone Martini's "Maesta" in the Sala del Mappamondo of the Palazzo Pubblico...
During a recent restoration in an underground chapel in Marsala (TP), the wall to which the altar is...
The altarpiece was executed in 1414 for the church of the Florentine monastery of Santa Maria degli ...
From the Chapel of Sant\u27Ansano in the Cathedral of Siena. A late work in which the precious ename...
The picture\u27s name derives from the Rucellai Chapel of Santa Maria Novella where it remained, aft...
The altarpiece was executed between 1329 and 1333 for the chapel of Sant\u27Ansano of the Cathedral ...
A small number of painted wooden panels in Italy have survived mostly from around the thirteenth cen...
Sassetta, the subtle genius from Siena, revolutionized Italian painting with an altarpiece for the s...
Since its incorporation into Siena's first public art collection early in the nineteenth century, th...
Una delle opere un tempo celebri di Simone Martini è da tempo scomparsa. Era un affresco visibile pu...
In 1308 the city of Siena commissioned Duccio to produce a panel for the cathedralhttps://digitalcom...
Celebrating the Virgin Mary as both an object of religious affection and a focus of civic pride, art...
The iconography represents the Madonna enthroned with Child and angels. In the lower part are four b...
The iconography represents the Madonna enthroned with Child and angels. In the lower part are four b...
The last restoration of Simone Martini's "Maesta" in the Sala del Mappamondo of the Palazzo Pubblico...
During a recent restoration in an underground chapel in Marsala (TP), the wall to which the altar is...
The altarpiece was executed in 1414 for the church of the Florentine monastery of Santa Maria degli ...
From the Chapel of Sant\u27Ansano in the Cathedral of Siena. A late work in which the precious ename...
The picture\u27s name derives from the Rucellai Chapel of Santa Maria Novella where it remained, aft...
The altarpiece was executed between 1329 and 1333 for the chapel of Sant\u27Ansano of the Cathedral ...
A small number of painted wooden panels in Italy have survived mostly from around the thirteenth cen...
Sassetta, the subtle genius from Siena, revolutionized Italian painting with an altarpiece for the s...
Since its incorporation into Siena's first public art collection early in the nineteenth century, th...
Una delle opere un tempo celebri di Simone Martini è da tempo scomparsa. Era un affresco visibile pu...