Tommaso Portinari, who loved Flemish art, commissioned Hugo van der Goes to paint the Portinari alterpiece. This great triptych, painted in Bruges in around 1475, originally stood on the high altar of the church of Santhttps://digitalcommons.usf.edu/saskia/2682/thumbnail.jp
Linked to the thirteenth century devotional text Meditationes Vitae Christi, visual representations ...
Based on the center panel of an altarpiece by of Hugo van der Goes 1435?-1482https://ecommons.udayto...
Isenheim Altarpiece, by Matthias Grunewald (Mathis Gothart Neithart), detail of Temptation of St. An...
Tommaso Portinari, who loved Flemish art, commissioned Hugo van der Goes to paint the Portinari alte...
Tommaso Portinari, who loved Flemish art, commissioned Hugo van der Goes to paint the Portinari alte...
Tommaso Portinari, who loved Flemish art, commissioned Hugo van der Goes to paint the Portinari alte...
Tommaso Portinari, who loved Flemish art, commissioned Hugo van der Goes to paint the Portinari alte...
The Portinari Altar (1476-78) is his only authenticated surviving work, around which others can neve...
Based on the work of Hugo van der Goeshttps://ecommons.udayton.edu/imri_antigua_stamps/1050/thumbnai...
Hugo van der Hugo Goes; 8 ft. 3 39/64 in. x 4 ft. 7 33/64 in.; tempera and oil on oa
The Monteoliveto Master owes his provisional name to a series of nine panels from the end of the 15t...
The two most remarkable 16th century depictions of the town of Genoa were made by Flemish artists. I...
This paper investigates the depiction of space in Hugo van der Hoes' Trinity Altarpiece, and discuss...
The monumental Last Judgement in Maastricht's Old Town Hall can be attributed to the local master Ja...
Isenheim Altarpiece, by Matthias Grunewald (Mathis Gothart Neithart), View of Crucifixion, 1515, oil...
Linked to the thirteenth century devotional text Meditationes Vitae Christi, visual representations ...
Based on the center panel of an altarpiece by of Hugo van der Goes 1435?-1482https://ecommons.udayto...
Isenheim Altarpiece, by Matthias Grunewald (Mathis Gothart Neithart), detail of Temptation of St. An...
Tommaso Portinari, who loved Flemish art, commissioned Hugo van der Goes to paint the Portinari alte...
Tommaso Portinari, who loved Flemish art, commissioned Hugo van der Goes to paint the Portinari alte...
Tommaso Portinari, who loved Flemish art, commissioned Hugo van der Goes to paint the Portinari alte...
Tommaso Portinari, who loved Flemish art, commissioned Hugo van der Goes to paint the Portinari alte...
The Portinari Altar (1476-78) is his only authenticated surviving work, around which others can neve...
Based on the work of Hugo van der Goeshttps://ecommons.udayton.edu/imri_antigua_stamps/1050/thumbnai...
Hugo van der Hugo Goes; 8 ft. 3 39/64 in. x 4 ft. 7 33/64 in.; tempera and oil on oa
The Monteoliveto Master owes his provisional name to a series of nine panels from the end of the 15t...
The two most remarkable 16th century depictions of the town of Genoa were made by Flemish artists. I...
This paper investigates the depiction of space in Hugo van der Hoes' Trinity Altarpiece, and discuss...
The monumental Last Judgement in Maastricht's Old Town Hall can be attributed to the local master Ja...
Isenheim Altarpiece, by Matthias Grunewald (Mathis Gothart Neithart), View of Crucifixion, 1515, oil...
Linked to the thirteenth century devotional text Meditationes Vitae Christi, visual representations ...
Based on the center panel of an altarpiece by of Hugo van der Goes 1435?-1482https://ecommons.udayto...
Isenheim Altarpiece, by Matthias Grunewald (Mathis Gothart Neithart), detail of Temptation of St. An...