This Report gathers the evidence from our 2020 research project investigating freelance working in the Scottish film and television sector over the past four decades. The Industrial Strategy (UK Government, 2017) and the Bazalgette Report into the Creative Industries (2017) have identified the need to support the development of creative clusters in other regions outside London and the south east of England in order that the creative industries grow more equally across the UK. The Scottish screen cluster has been examined previously with the focus on the independent production companies located in a Glasgow ‘agglomeration’ (Turok, 2003). Our research focuses on the Scottish screen sector freelance workforce. It examines how a nascent cluster...
[ Full text of this paper is not available in the UHRA]This paper considers whether the differences ...
The media industry was formerly one of the most heavily unionised sectors in the UK. With the shift ...
Keith Randle and Nigel Culkin, 'Getting in and Getting on in Hollywood: Freelance Careers in an Unce...
This Discussion Paper investigates freelance working in the Scottish film and television sector. The...
The launch of Channel 4 in 1982 coincided with a period of fundamental change in the Scottish film a...
Together with “creativity”, the concept of “talent” has emerged within UK and global policy discussi...
Official statistics show that the revenue from film production in Wellington has increased in the la...
This report provides a snapshot of the state and needs of creative freelancers in the Edinburgh regi...
This thesis examines cultural policy for film in Scotland, from 1997 to 2010. It explores the extent...
The labour market in Britain's television industry has been transformed in the last 20 years with th...
Original article can be found at: http://www.emeraldinsight.com/ Copyright Emerald Group Publishing ...
This report explores the gaps highlighted by perceptions of training delivery and workforce inclusiv...
Abstract copyright UK Data Service and data collection copyright owner.The British Film Institute (B...
2 This thesis examines creative industries policy in film and television in Scotland. It explores th...
A key resource to any creative industry is their workforce, and this isparticularly true for the scr...
[ Full text of this paper is not available in the UHRA]This paper considers whether the differences ...
The media industry was formerly one of the most heavily unionised sectors in the UK. With the shift ...
Keith Randle and Nigel Culkin, 'Getting in and Getting on in Hollywood: Freelance Careers in an Unce...
This Discussion Paper investigates freelance working in the Scottish film and television sector. The...
The launch of Channel 4 in 1982 coincided with a period of fundamental change in the Scottish film a...
Together with “creativity”, the concept of “talent” has emerged within UK and global policy discussi...
Official statistics show that the revenue from film production in Wellington has increased in the la...
This report provides a snapshot of the state and needs of creative freelancers in the Edinburgh regi...
This thesis examines cultural policy for film in Scotland, from 1997 to 2010. It explores the extent...
The labour market in Britain's television industry has been transformed in the last 20 years with th...
Original article can be found at: http://www.emeraldinsight.com/ Copyright Emerald Group Publishing ...
This report explores the gaps highlighted by perceptions of training delivery and workforce inclusiv...
Abstract copyright UK Data Service and data collection copyright owner.The British Film Institute (B...
2 This thesis examines creative industries policy in film and television in Scotland. It explores th...
A key resource to any creative industry is their workforce, and this isparticularly true for the scr...
[ Full text of this paper is not available in the UHRA]This paper considers whether the differences ...
The media industry was formerly one of the most heavily unionised sectors in the UK. With the shift ...
Keith Randle and Nigel Culkin, 'Getting in and Getting on in Hollywood: Freelance Careers in an Unce...