In Anna Seghers’ short story, Gita delle ragazze morte (1943-1944) and in Claudio Magris’ Esterno giorno – Val Rosandra (1982), a group of high school friends and their trip on the eve of World War I provide the narrative nucleus around which individual micro-histories meet macro-history. In the proposed analysis, the reason for the deprivation is identified as an element common to the two texts. In Seghers’ story, the temporal distance is cancelled out in a continuum, whereas Magris’ story operates through multiplication and fading between different typologies of texts: novel, screenplay, film, Goethe’s Faust, and short story
The construction of social cadres of memory is a process that is linked to the selection and oblivio...
The Memorial for the Italian died in nazi camps is an artistic masterpiece commissioned in 1979 by t...
Cephalonia: a non-shared History The armistice of 8th September 1943 causes the disintegration of t...
The essay focuses on the modalities adopted by Magris in his novel, Alla cieca, to merge literature ...
Diaspora is one of the most important themes in Claudio Magris’ works, including its interrelations ...
Magris had a deep relationship with his hometown Trieste, while feeling the need to distance himself...
The paper focuses on two Italian writers who, after Second World War, lived the experience of Giulia...
The paper focuses on two Italian writers who, after Second World War, lived the experience of Giulia...
The paper focuses on two Italian writers who, after Second World War, lived the experience of Giulia...
The paper focuses on two Italian writers who, after Second World War, lived the experience of Giulia...
This short article aims to stimulate a rethinking of the deep cultural sedimentations that do not em...
The article gives a textual analysis of Giulio Angioni’s "Millant’anni" (2002) which sees this novel...
This paper discusses the importance and frequency of Magris’ explorations of Musil and his major wor...
The correspondence between the elderly Biagio Marin and the younger Claudio Magris shows the evoluti...
The contribution reworks an essay published in the journal «LEA» (2015) through combining it with a ...
The construction of social cadres of memory is a process that is linked to the selection and oblivio...
The Memorial for the Italian died in nazi camps is an artistic masterpiece commissioned in 1979 by t...
Cephalonia: a non-shared History The armistice of 8th September 1943 causes the disintegration of t...
The essay focuses on the modalities adopted by Magris in his novel, Alla cieca, to merge literature ...
Diaspora is one of the most important themes in Claudio Magris’ works, including its interrelations ...
Magris had a deep relationship with his hometown Trieste, while feeling the need to distance himself...
The paper focuses on two Italian writers who, after Second World War, lived the experience of Giulia...
The paper focuses on two Italian writers who, after Second World War, lived the experience of Giulia...
The paper focuses on two Italian writers who, after Second World War, lived the experience of Giulia...
The paper focuses on two Italian writers who, after Second World War, lived the experience of Giulia...
This short article aims to stimulate a rethinking of the deep cultural sedimentations that do not em...
The article gives a textual analysis of Giulio Angioni’s "Millant’anni" (2002) which sees this novel...
This paper discusses the importance and frequency of Magris’ explorations of Musil and his major wor...
The correspondence between the elderly Biagio Marin and the younger Claudio Magris shows the evoluti...
The contribution reworks an essay published in the journal «LEA» (2015) through combining it with a ...
The construction of social cadres of memory is a process that is linked to the selection and oblivio...
The Memorial for the Italian died in nazi camps is an artistic masterpiece commissioned in 1979 by t...
Cephalonia: a non-shared History The armistice of 8th September 1943 causes the disintegration of t...