Lope de Vega’s play, La fuerza lastimosa, written around 1599 and first published in 1609, was very popular in Seventeenth-Century Italy, as research by Fausta Antonucci and Salomé Vuelta has demonstrated. Several Italian adaptations are already known, among which a dramma per musica, La forza compassionevole,written by Antonio Salvi and staged in Leghorn in 1694. In the same year, another opera based on Lope’s drama was staged in Venice (as Alfonso I) and in Naples (under the title Alfonso il Sesto re di Castiglia). Two years later, this last version was revived in Palermo, again, as in Naples, to celebrate the birthday of King Charles II of Spain. None of these three librettos indicates Lope’s authorship nor it has been hypothesized until...
El artículo analiza las estimaciones sobre Lope de Vega de un lector, el canónigo Antonio Matina, ac...
In order to highlight the intertextual game that Giacinto Andrea Cicognini creates in it L’amorose f...
La gelosa di se stessa is the fourth of the six melodramas collected in 1709 by Arcangelo Spagna and...
Lope de Vega’s play, La fuerza lastimosa, written around 1599 and first published in 1609, was very ...
Lope de Vega’s play, La fuerza lastimosa, written around 1599 and first published in 1609, was very ...
This paper highlights archival evidence and dramaturgic mythemes in order to reconsider the historio...
The contribution proposes a reflection on the greatest author of the 18th Century Italian theater wh...
The subject of aprince dressing as a gardener to approach his beloved is dear to the European theatr...
At the height of its development and up to the eighteenth century, the Spanish classical theatre sig...
This essay provides a comparison of select testimonies of the enduring tradition of Convitato di pie...
The subject of the intervention, a curious example of Italian-Spanish translingualism of the late 16...
The first part of this paper consists of a theatre play written specifically for the international c...
Among the manuscripts in Italian kept in the National Library of Vienna, a comedy in prose of Spanis...
The subject of the essay is the analysis of the staging of Lope de Vega’s novel ‘Romeo and Juliet’ (...
This paper examines a series of drammi per musica written by Adriano Morselli during the last years ...
El artículo analiza las estimaciones sobre Lope de Vega de un lector, el canónigo Antonio Matina, ac...
In order to highlight the intertextual game that Giacinto Andrea Cicognini creates in it L’amorose f...
La gelosa di se stessa is the fourth of the six melodramas collected in 1709 by Arcangelo Spagna and...
Lope de Vega’s play, La fuerza lastimosa, written around 1599 and first published in 1609, was very ...
Lope de Vega’s play, La fuerza lastimosa, written around 1599 and first published in 1609, was very ...
This paper highlights archival evidence and dramaturgic mythemes in order to reconsider the historio...
The contribution proposes a reflection on the greatest author of the 18th Century Italian theater wh...
The subject of aprince dressing as a gardener to approach his beloved is dear to the European theatr...
At the height of its development and up to the eighteenth century, the Spanish classical theatre sig...
This essay provides a comparison of select testimonies of the enduring tradition of Convitato di pie...
The subject of the intervention, a curious example of Italian-Spanish translingualism of the late 16...
The first part of this paper consists of a theatre play written specifically for the international c...
Among the manuscripts in Italian kept in the National Library of Vienna, a comedy in prose of Spanis...
The subject of the essay is the analysis of the staging of Lope de Vega’s novel ‘Romeo and Juliet’ (...
This paper examines a series of drammi per musica written by Adriano Morselli during the last years ...
El artículo analiza las estimaciones sobre Lope de Vega de un lector, el canónigo Antonio Matina, ac...
In order to highlight the intertextual game that Giacinto Andrea Cicognini creates in it L’amorose f...
La gelosa di se stessa is the fourth of the six melodramas collected in 1709 by Arcangelo Spagna and...