The contribution proposes a reflection on the greatest author of the 18th Century Italian theater who drew on the dramaturgical heritage of the siglos de oro. The main elements dealt with are: Carlo Gozzi's theoretical reflection on the characteristics of Spanish theater; the fundamental role in the repêchage that the actors of Antonio Sacco's company had in that theater, for which the author provided - according to him - a "voluntary friendly assistance"; finally, the most significant data that emerge, or could emerge, from the first National Edition of the works of Carlo Gozzi (launched in 2011)
[ES] La tesis, partiendo de los manuscritos del autor conservados en la Biblioteca Nazionale Marcian...
The present study offers a synthetic overview of some of the key insights that emerged from the firs...
In order to highlight the intertextual game that Giacinto Andrea Cicognini creates in it L’amorose f...
Il contributo propone una riflessione sul principale autore italiano di teatro settecentesco che abb...
The contribution proposes a reflection on the greatest author of the 18th Century Italian theater wh...
After exploring some of the possible channels of contact between Carlo Gozzi and the sphere of Neapo...
In the preface to the edition of La malia della voce, Carlo Gozzi declares that the only source of h...
At the height of its development and up to the eighteenth century, the Spanish classical theatre sig...
In 2003, the Swiss scholar Fabio Soldini discovered a big amount of unknown manuscripts, mostly unpu...
The contribution concerns the relationship between Pietro Napoli Signorelli, his Storia critica de’ ...
The subject of aprince dressing as a gardener to approach his beloved is dear to the European theatr...
The subject of the intervention, a curious example of Italian-Spanish translingualism of the late 16...
Lope de Vega’s play, La fuerza lastimosa, written around 1599 and first published in 1609, was very ...
Carlo Cecchi: funambolo della scena italiana (Carlo Cecchi: a funambulist of the Italian stage) cons...
In the summer of 1634 the grand-ducal ambassador resident in France Giovan Battista Gondi made an un...
[ES] La tesis, partiendo de los manuscritos del autor conservados en la Biblioteca Nazionale Marcian...
The present study offers a synthetic overview of some of the key insights that emerged from the firs...
In order to highlight the intertextual game that Giacinto Andrea Cicognini creates in it L’amorose f...
Il contributo propone una riflessione sul principale autore italiano di teatro settecentesco che abb...
The contribution proposes a reflection on the greatest author of the 18th Century Italian theater wh...
After exploring some of the possible channels of contact between Carlo Gozzi and the sphere of Neapo...
In the preface to the edition of La malia della voce, Carlo Gozzi declares that the only source of h...
At the height of its development and up to the eighteenth century, the Spanish classical theatre sig...
In 2003, the Swiss scholar Fabio Soldini discovered a big amount of unknown manuscripts, mostly unpu...
The contribution concerns the relationship between Pietro Napoli Signorelli, his Storia critica de’ ...
The subject of aprince dressing as a gardener to approach his beloved is dear to the European theatr...
The subject of the intervention, a curious example of Italian-Spanish translingualism of the late 16...
Lope de Vega’s play, La fuerza lastimosa, written around 1599 and first published in 1609, was very ...
Carlo Cecchi: funambolo della scena italiana (Carlo Cecchi: a funambulist of the Italian stage) cons...
In the summer of 1634 the grand-ducal ambassador resident in France Giovan Battista Gondi made an un...
[ES] La tesis, partiendo de los manuscritos del autor conservados en la Biblioteca Nazionale Marcian...
The present study offers a synthetic overview of some of the key insights that emerged from the firs...
In order to highlight the intertextual game that Giacinto Andrea Cicognini creates in it L’amorose f...