There is an established history of horror genres being used as an allegory for otherness, especially in regard to queer identity. For much of western media history, these monstrous roles were one of the few ways queer individuals could see themselves in stories. While these depictions were primarily negative, queer people nevertheless found a way to positively identify with the experience of the monster. This positive identification with traditionally negative depictions inspired the creation of a role method-based intervention for use with queer adults in a partial hospitalization program. Two back-to-back 45-minute groups were conducted on two separate occasions to explore this framework. After each series, the thesis writer recorded a mo...
This paper will consider the function of queer space and presence in the post modern horror film gen...
This dissertation utilizes the videographic essay method to visually analyze the queer aesthetic tha...
This article starts with the observation that all monsters are created by humans and thus they serve...
According to Harry M. Benshoff in his book Monsters in the Closet, Hollywood has a long history of d...
66 pagesSince the publication of Mary Shelley's Frankenstein in 1819, Gothic monsters have become do...
This video essay places Bit (Brad Michael Elmore, 2019, US) and Seance (Simon Barrett, 2021, US) in ...
This chapter examines the queer Gothicism of American horror to consider the ways in which marginali...
A lack of queer acceptance in all areas of life has been shown in large-scale studies to exacerbate ...
This project explores how gothic metaphors appear in American cultural productions concerned with no...
The queer monster feeds, yet what does it feed on? What does it look like? Is it considered homosexu...
Queer Themes in Horror Literature Nova Faust Horror as a genre, both in literature then film, has a...
This paper will present a synthesis of existing available research on the unique needs of the LGBTQ+...
Queer connection to and presence in horror has been theorized for decades, yet previous research em...
[eng] Horror film can be regarded as a pioneering genre in terms of the depiction of deviant identit...
Darren Elliott-Smith, Queer Horror Film and Television: Sexuality and Masculinity at the Margins (Lo...
This paper will consider the function of queer space and presence in the post modern horror film gen...
This dissertation utilizes the videographic essay method to visually analyze the queer aesthetic tha...
This article starts with the observation that all monsters are created by humans and thus they serve...
According to Harry M. Benshoff in his book Monsters in the Closet, Hollywood has a long history of d...
66 pagesSince the publication of Mary Shelley's Frankenstein in 1819, Gothic monsters have become do...
This video essay places Bit (Brad Michael Elmore, 2019, US) and Seance (Simon Barrett, 2021, US) in ...
This chapter examines the queer Gothicism of American horror to consider the ways in which marginali...
A lack of queer acceptance in all areas of life has been shown in large-scale studies to exacerbate ...
This project explores how gothic metaphors appear in American cultural productions concerned with no...
The queer monster feeds, yet what does it feed on? What does it look like? Is it considered homosexu...
Queer Themes in Horror Literature Nova Faust Horror as a genre, both in literature then film, has a...
This paper will present a synthesis of existing available research on the unique needs of the LGBTQ+...
Queer connection to and presence in horror has been theorized for decades, yet previous research em...
[eng] Horror film can be regarded as a pioneering genre in terms of the depiction of deviant identit...
Darren Elliott-Smith, Queer Horror Film and Television: Sexuality and Masculinity at the Margins (Lo...
This paper will consider the function of queer space and presence in the post modern horror film gen...
This dissertation utilizes the videographic essay method to visually analyze the queer aesthetic tha...
This article starts with the observation that all monsters are created by humans and thus they serve...