International audiencePhysical modelling of musical instrument offers wide and rich possibilities for the simulations of physical phenomena. The CORDIS-ANIMA system uses this formalism for sound synthesis. The aim is to simulate of all the components of an instrument and in particular the central element of this chian, the vibrating structure. Many experiments have been driven in this way and gave interesting results regarding the topological and geometrical characteristics and beside the physical parameters of inertia stiffness and viscosity of the network that describe the structure
Since the early days of computer music, a variety of algorithms have been developed and dedicated to...
International audienceWe propose a numerical simulation for the physical model of the zournas, a Gre...
Paper 3 - Audio Synthesis (Oral Presentations)International audienceIn this paper, we present the fi...
CORDIS-ANIMA is a general system for designing and simulating physical models made of modules that r...
CORDIS-ANIMA is a general system for designing and simulating physical models made of modules that r...
In an instrument such as the piano, the coupling phenomena between the vibrating structures (the str...
International audienceCORDIS-ANIMA is a digital, real-time, object modeling and simulation system. T...
In an instrument such as the piano, the coupling phenomena between the vibrating structures (the str...
International audienceIn 1979, ACROE introduced the principle of physical modeling in the field of m...
Colloque C5 (3ème Congrés français d'acoustique) - Supplément au Journal de Physique IIINational aud...
Abstract. This thesis proposes the use of CORDIS-ANIMA physical modeling formalism as a mean of desi...
International audienceThis paper describes four systems for the synthesis of sounds or animated imag...
International audienceThe CORDIS-ANIMA formalism allows musician or acoustician to describe and simu...
Notre propos se concentre sur les méthodes d’analyse et de modélisation pour l’analyse dédiées aux r...
The CORDIS ANIMA formalism allows to model physical objects according to a modular methodology which...
Since the early days of computer music, a variety of algorithms have been developed and dedicated to...
International audienceWe propose a numerical simulation for the physical model of the zournas, a Gre...
Paper 3 - Audio Synthesis (Oral Presentations)International audienceIn this paper, we present the fi...
CORDIS-ANIMA is a general system for designing and simulating physical models made of modules that r...
CORDIS-ANIMA is a general system for designing and simulating physical models made of modules that r...
In an instrument such as the piano, the coupling phenomena between the vibrating structures (the str...
International audienceCORDIS-ANIMA is a digital, real-time, object modeling and simulation system. T...
In an instrument such as the piano, the coupling phenomena between the vibrating structures (the str...
International audienceIn 1979, ACROE introduced the principle of physical modeling in the field of m...
Colloque C5 (3ème Congrés français d'acoustique) - Supplément au Journal de Physique IIINational aud...
Abstract. This thesis proposes the use of CORDIS-ANIMA physical modeling formalism as a mean of desi...
International audienceThis paper describes four systems for the synthesis of sounds or animated imag...
International audienceThe CORDIS-ANIMA formalism allows musician or acoustician to describe and simu...
Notre propos se concentre sur les méthodes d’analyse et de modélisation pour l’analyse dédiées aux r...
The CORDIS ANIMA formalism allows to model physical objects according to a modular methodology which...
Since the early days of computer music, a variety of algorithms have been developed and dedicated to...
International audienceWe propose a numerical simulation for the physical model of the zournas, a Gre...
Paper 3 - Audio Synthesis (Oral Presentations)International audienceIn this paper, we present the fi...