Add to ORKGA review of Alfabeto falso, with Simone Vallerotondo (Baroque guitar) and I Bassifondi (Arcana A435, 2017), compact disc
A review of Ars Longa: Old and New Music for Theorbo, by Elizabeth Kenny, theorbo (Linn CKD 603, 201...
A review of Christopher Page, Men, Women and Guitars in Romantic England (Gresham College), six vide...
Johannes Kapsberger (1580-1651) was an Italian composer of the early Baroque era. Known for his comp...
A review of Jocelyn Nelson (guitar) and Amy Bartram (soprano), Ma Guiterre je te chante: 16th Centur...
Reviews of the following recordings: Aleph Guitar Quartet, Aleph Gitarrenquartett, vol. 2 (NEOS 11...
A review of Works from La guitarre royalle (1671) and Italian Guitar Music of the Seventeenth Centur...
A review of Guitar Double Concertos, by Miguel Trápaga and Teresa Folgueira, guitars; Ángel Luis C...
La Guitare = The Guitar = La Chitarra, Paris, 1650-1950, Addendum, by Sinier, Daniel and Francoise d...
A review of Archetypes, by Sérgio Assad, Clarice Assad, and Third Coast Percussion (Cedille 201, 20...
A review of Nicoletta Confalone, Un angelo senza paradiso: La chitarra alla ricerca di Schubert (Bol...
In the first few decades of the seventeenth century countless songbooks were published in Italy, mor...
The five-course ‘baroque’ guitar was regularly employed in the accompaniment of song and dance, and ...
A review of Los Romeros: Royal Family of the Spanish Guitar by Walter Aaron Clark
Includes recorded audio files in WAV and MP3 formats, 49:14 in lengthChoix de Mes Fleurs Cheries. op...
A review of Nineteenth-Century Guitar Songs: An Idiosyncratic Survey, by Ian Gammie
A review of Ars Longa: Old and New Music for Theorbo, by Elizabeth Kenny, theorbo (Linn CKD 603, 201...
A review of Christopher Page, Men, Women and Guitars in Romantic England (Gresham College), six vide...
Johannes Kapsberger (1580-1651) was an Italian composer of the early Baroque era. Known for his comp...
A review of Jocelyn Nelson (guitar) and Amy Bartram (soprano), Ma Guiterre je te chante: 16th Centur...
Reviews of the following recordings: Aleph Guitar Quartet, Aleph Gitarrenquartett, vol. 2 (NEOS 11...
A review of Works from La guitarre royalle (1671) and Italian Guitar Music of the Seventeenth Centur...
A review of Guitar Double Concertos, by Miguel Trápaga and Teresa Folgueira, guitars; Ángel Luis C...
La Guitare = The Guitar = La Chitarra, Paris, 1650-1950, Addendum, by Sinier, Daniel and Francoise d...
A review of Archetypes, by Sérgio Assad, Clarice Assad, and Third Coast Percussion (Cedille 201, 20...
A review of Nicoletta Confalone, Un angelo senza paradiso: La chitarra alla ricerca di Schubert (Bol...
In the first few decades of the seventeenth century countless songbooks were published in Italy, mor...
The five-course ‘baroque’ guitar was regularly employed in the accompaniment of song and dance, and ...
A review of Los Romeros: Royal Family of the Spanish Guitar by Walter Aaron Clark
Includes recorded audio files in WAV and MP3 formats, 49:14 in lengthChoix de Mes Fleurs Cheries. op...
A review of Nineteenth-Century Guitar Songs: An Idiosyncratic Survey, by Ian Gammie
A review of Ars Longa: Old and New Music for Theorbo, by Elizabeth Kenny, theorbo (Linn CKD 603, 201...
A review of Christopher Page, Men, Women and Guitars in Romantic England (Gresham College), six vide...
Johannes Kapsberger (1580-1651) was an Italian composer of the early Baroque era. Known for his comp...