Add to ORKGReviews of the following recordings: Aleph Guitar Quartet, Aleph Gitarrenquartett, vol. 2 (NEOS 11710, 2017) Bernard Lang, The Cold Trip, with Sarah Maria Sun, Juliet Fraser, Mark Knoop, and the Aleph Guitar Quartet (Kairos 0015018, 2017) Sofia Gubaidulina, Complete Guitar Works, with David Tanenbaum et al. (Naxos 8.573379, 2015) Tom Johnson, Plucking, with Just Strings (MicroFest Records MF9, 2017
A review of Christopher Page, Men, Women and Guitars in Romantic England (Gresham College), six vide...
Mauro Giuliani, one of the most important figures in the growth and development of the guitar in the...
Long reviews Darr\u27s German Romantic Guitar Duets by John Schneiderman and Hideki Yamaya
Reviews of the following recordings: Aleph Guitar Quartet, Aleph Gitarrenquartett, vol. 2 (NEOS 11...
A review of Alfabeto falso, with Simone Vallerotondo (Baroque guitar) and I Bassifondi (Arcana A435,...
The Russian Guitar 1800-1850, album by Oleg Timofeyev and John Schneiderman is reviewed
A review of Nineteenth-Century Guitar Songs: An Idiosyncratic Survey, by Ian Gammie
A review of Jocelyn Nelson (guitar) and Amy Bartram (soprano), Ma Guiterre je te chante: 16th Centur...
La Guitare = The Guitar = La Chitarra, Paris, 1650-1950, Addendum, by Sinier, Daniel and Francoise d...
A review of Archetypes, by Sérgio Assad, Clarice Assad, and Third Coast Percussion (Cedille 201, 20...
The guitar is like an orchestra, claimed Andrés Segovia many times. I completely agree with this sta...
A review of Guitar Double Concertos, by Miguel Trápaga and Teresa Folgueira, guitars; Ángel Luis C...
Includes recorded audio files in WAV and MP3 formats, 49:14 in lengthChoix de Mes Fleurs Cheries. op...
In the 21st century, the guitar, as both a material object and tool for artistic expression, continu...
A review of Works from La guitarre royalle (1671) and Italian Guitar Music of the Seventeenth Centur...
A review of Christopher Page, Men, Women and Guitars in Romantic England (Gresham College), six vide...
Mauro Giuliani, one of the most important figures in the growth and development of the guitar in the...
Long reviews Darr\u27s German Romantic Guitar Duets by John Schneiderman and Hideki Yamaya
Reviews of the following recordings: Aleph Guitar Quartet, Aleph Gitarrenquartett, vol. 2 (NEOS 11...
A review of Alfabeto falso, with Simone Vallerotondo (Baroque guitar) and I Bassifondi (Arcana A435,...
The Russian Guitar 1800-1850, album by Oleg Timofeyev and John Schneiderman is reviewed
A review of Nineteenth-Century Guitar Songs: An Idiosyncratic Survey, by Ian Gammie
A review of Jocelyn Nelson (guitar) and Amy Bartram (soprano), Ma Guiterre je te chante: 16th Centur...
La Guitare = The Guitar = La Chitarra, Paris, 1650-1950, Addendum, by Sinier, Daniel and Francoise d...
A review of Archetypes, by Sérgio Assad, Clarice Assad, and Third Coast Percussion (Cedille 201, 20...
The guitar is like an orchestra, claimed Andrés Segovia many times. I completely agree with this sta...
A review of Guitar Double Concertos, by Miguel Trápaga and Teresa Folgueira, guitars; Ángel Luis C...
Includes recorded audio files in WAV and MP3 formats, 49:14 in lengthChoix de Mes Fleurs Cheries. op...
In the 21st century, the guitar, as both a material object and tool for artistic expression, continu...
A review of Works from La guitarre royalle (1671) and Italian Guitar Music of the Seventeenth Centur...
A review of Christopher Page, Men, Women and Guitars in Romantic England (Gresham College), six vide...
Mauro Giuliani, one of the most important figures in the growth and development of the guitar in the...
Long reviews Darr\u27s German Romantic Guitar Duets by John Schneiderman and Hideki Yamaya