This article explores the presence and activities of guitarists in nineteenth-century São Paulo. Drawing on reviews written by the pianist Alexandre Levy in 1890, I analyze concerts by Martínez Toboso and Gil-Orozco, two Spanish guitarists whose duo seems to have been the first to perform formal concerts in São Paulo. I also investigate Gil-Orozco’s subsequent work in São Paulo, where he lived for seventeen years (1890–1907), playing an essential role in the guitar’s development in the city
Resumen: La guitarra española actual en su versión clásica y flamenca es, quizás, el instrumento qu...
© 1998 Dr. Melanie PleschThis study examines the role of the guitar in Argentine culture through an ...
This paper explores historical connections between Heitor Villa-Lobos and the 19th century Spanish g...
This article explores the presence and activities of guitarists in nineteenth-century São Paulo. Dra...
Based on a hemerographic investigation, this article constitutes an initial look at events held by g...
A review of Nineteenth-Century Guitar Songs: An Idiosyncratic Survey, by Ian Gammie
International audienceDuring the second half of the eighteenth century the Spanish guitar reached a ...
International audienceCet article analyse les différentes fonctions de la guitare dans vingt-deux ré...
Esta pesquisa investiga o estabelecimento do circuito do violão em São Paulo. Busca-se detectar os a...
The article focuses on the personalized genre and style approach to the analysis of Latin American c...
This thesis is in four principal sections. Section one covers the period from 1800 to 1823 and begin...
Sparks discusses the various problems and conventions in guitar Performance through the nineteenth a...
In this research, I publish for the first time, four Venezuelan unpublished pieces for guitar from t...
This thesis argues that the context within which prominent Spanish composer Joaquín Rodrigo (1901-19...
Information on guitar trios of this particular period is cant at best. What meager data is stated in...
Resumen: La guitarra española actual en su versión clásica y flamenca es, quizás, el instrumento qu...
© 1998 Dr. Melanie PleschThis study examines the role of the guitar in Argentine culture through an ...
This paper explores historical connections between Heitor Villa-Lobos and the 19th century Spanish g...
This article explores the presence and activities of guitarists in nineteenth-century São Paulo. Dra...
Based on a hemerographic investigation, this article constitutes an initial look at events held by g...
A review of Nineteenth-Century Guitar Songs: An Idiosyncratic Survey, by Ian Gammie
International audienceDuring the second half of the eighteenth century the Spanish guitar reached a ...
International audienceCet article analyse les différentes fonctions de la guitare dans vingt-deux ré...
Esta pesquisa investiga o estabelecimento do circuito do violão em São Paulo. Busca-se detectar os a...
The article focuses on the personalized genre and style approach to the analysis of Latin American c...
This thesis is in four principal sections. Section one covers the period from 1800 to 1823 and begin...
Sparks discusses the various problems and conventions in guitar Performance through the nineteenth a...
In this research, I publish for the first time, four Venezuelan unpublished pieces for guitar from t...
This thesis argues that the context within which prominent Spanish composer Joaquín Rodrigo (1901-19...
Information on guitar trios of this particular period is cant at best. What meager data is stated in...
Resumen: La guitarra española actual en su versión clásica y flamenca es, quizás, el instrumento qu...
© 1998 Dr. Melanie PleschThis study examines the role of the guitar in Argentine culture through an ...
This paper explores historical connections between Heitor Villa-Lobos and the 19th century Spanish g...