National audienceAlthough human gesture is typically considered to occur at frequencies below 30 Hz, interactions with the environment involve exchange of mechanical energy into the frequency range of sound. These non-linear dynamic situations lend themselves to subtle control over sound-producing phenomena. An example of this is the bowed string. We propose that high-frequency forces experienced during bowing are important factors for accurate control of bowing, providing critical information about the vibration state of the string. To test this hypothesis, we have developed a simulator which, using force-feedback hardware, enables synthesis of both sound and friction forces at audio rates. This real-time simulator allows experimentation n...
cote interne IRCAM: Rasamimanana09cNational audienceWe present an experimental study on articulation...
This thesis describes the development of a highly refined physics-based model of a bowed string and ...
In this paper we provide a detailed description of the development of a new interface for musical ex...
Posters session III - Proceedings available online: http://www.eecs.umich.edu/nime2012/Proceedings/N...
Posters session III - Proceedings available online: http://www.eecs.umich.edu/nime2012/Proceedings/N...
Posters session III - Proceedings available online: http://www.eecs.umich.edu/nime2012/Proceedings/N...
Force-feedback and physical modeling technologies now allow to achieve the same kind of relation wit...
Force-feedback interaction with a bowed string model can suffer critically from noise in the velocit...
The CORDIS ANIMA formalism allows to model physical objects according to a modular methodology which...
Recent bowed string sound synthesis has relied on physical modelling techniques; the achievable real...
Recent bowed string sound synthesis has relied on physical modelling techniques; the achievable real...
International audienceThe CORDIS ANIMA formalism has been designed to model and simulate physical ob...
cote interne IRCAM: Demoucron07aNone / NoneNational audienceSound synthesis of bowed strings instrum...
A haptic model of bowing the violin and viola is presented that focuses on just the geometry of the ...
In this paper we discuss the real-time simulation of a physical model of a bowed string instrument ...
cote interne IRCAM: Rasamimanana09cNational audienceWe present an experimental study on articulation...
This thesis describes the development of a highly refined physics-based model of a bowed string and ...
In this paper we provide a detailed description of the development of a new interface for musical ex...
Posters session III - Proceedings available online: http://www.eecs.umich.edu/nime2012/Proceedings/N...
Posters session III - Proceedings available online: http://www.eecs.umich.edu/nime2012/Proceedings/N...
Posters session III - Proceedings available online: http://www.eecs.umich.edu/nime2012/Proceedings/N...
Force-feedback and physical modeling technologies now allow to achieve the same kind of relation wit...
Force-feedback interaction with a bowed string model can suffer critically from noise in the velocit...
The CORDIS ANIMA formalism allows to model physical objects according to a modular methodology which...
Recent bowed string sound synthesis has relied on physical modelling techniques; the achievable real...
Recent bowed string sound synthesis has relied on physical modelling techniques; the achievable real...
International audienceThe CORDIS ANIMA formalism has been designed to model and simulate physical ob...
cote interne IRCAM: Demoucron07aNone / NoneNational audienceSound synthesis of bowed strings instrum...
A haptic model of bowing the violin and viola is presented that focuses on just the geometry of the ...
In this paper we discuss the real-time simulation of a physical model of a bowed string instrument ...
cote interne IRCAM: Rasamimanana09cNational audienceWe present an experimental study on articulation...
This thesis describes the development of a highly refined physics-based model of a bowed string and ...
In this paper we provide a detailed description of the development of a new interface for musical ex...