Add to ORKGEmbedded in a copyright owner’s musical work or sound recording is the synchronization, or sync right, the exclusive right to use music in sync, or in timed-relation, with audiovisual works. Considerations about sync rights, one of the least discussed aspects of music copyright, have come to the fore as the world has increasingly moved from the real world to the virtual. The COVID-19 pandemic has spurred thousands of activities and events to go online. With many of these involving music, the shift to the virtual world has raised new questions about the extent of sync rights
Music embodies two copyrights: one for the words and notes, and another for the particular sound rec...
Recent technological advances have allowed consumers to reinvent the mixtape. Instead of being confi...
Often, one might not perceive that music artists have intellectual property rights of songs played ...
With the advancement of digital broadcasting technologies, the lack of a revision to copyright law h...
The digital revolution has upended many aspects of the copyright system, particularly as it relates ...
Ever since jukeboxes and taped music began replacing bands in many restaurants and bars, performing ...
This essay revolves around Synchronization management & Synchronization licensing, or in short s...
Although there is a large body of scholarly literature on musical copyright, very little of this wor...
The Article discusses the recognition of the public performance right for sound recordings under the...
This Fall 2021 Supplement is the product of our effort to capture important developments in copyrigh...
For over 150 years, federal copyright law in the United States reflected and reinforced the model of...
As we enter a new period of wholesale copyright revision, this Note examines the interplay of copyri...
The music industry appears to be thriving with constant record breaking sales and more ways to liste...
No one has yet been able to agree on the meaning of the copyright laws related to webcast licensing ...
More than four years after Napster demonstrated the power of the Internet as a means of distributing...
Music embodies two copyrights: one for the words and notes, and another for the particular sound rec...
Recent technological advances have allowed consumers to reinvent the mixtape. Instead of being confi...
Often, one might not perceive that music artists have intellectual property rights of songs played ...
With the advancement of digital broadcasting technologies, the lack of a revision to copyright law h...
The digital revolution has upended many aspects of the copyright system, particularly as it relates ...
Ever since jukeboxes and taped music began replacing bands in many restaurants and bars, performing ...
This essay revolves around Synchronization management & Synchronization licensing, or in short s...
Although there is a large body of scholarly literature on musical copyright, very little of this wor...
The Article discusses the recognition of the public performance right for sound recordings under the...
This Fall 2021 Supplement is the product of our effort to capture important developments in copyrigh...
For over 150 years, federal copyright law in the United States reflected and reinforced the model of...
As we enter a new period of wholesale copyright revision, this Note examines the interplay of copyri...
The music industry appears to be thriving with constant record breaking sales and more ways to liste...
No one has yet been able to agree on the meaning of the copyright laws related to webcast licensing ...
More than four years after Napster demonstrated the power of the Internet as a means of distributing...
Music embodies two copyrights: one for the words and notes, and another for the particular sound rec...
Recent technological advances have allowed consumers to reinvent the mixtape. Instead of being confi...
Often, one might not perceive that music artists have intellectual property rights of songs played ...