Collecting diverse critical perspectives on the topic of play—from dolls, bilboquets, and lotteries, to writing itself—this volume offers new insights into how play was used to represent and reimagine the world in eighteenth-century France. In documenting various modes of play, contributors theorize its relation to law, religion, politics, and economics. Equally important was the role of “play” in plays, and the function of theatrical performance in mirroring, and often contesting, our place in the universe. These essays remind us that the spirit of play was very much alive during the “Age of Reason,” providing ways for its practitioners to consider more “serious” themes such as free will and determinism, illusions and equivocations, or cha...
This study examines the influences of fairground entertainments on the evolution of the theatrical e...
Living Theater: Politics, Justice and the Stage in France (1750-1800) examines many of the aesthetic...
Theatre scholars and historians assume too easily that theoretical reflection on the performative qu...
This dissertation examines the growth and development of lotteries in eighteenth-century France. Lo...
The mid-eighteenth century witnessed a particularly intense conflict between the Enlightenment philo...
In the last fifty years of the ancien régime, commercial theater in France was transformed. Provinci...
Cette étude porte sur les procédés narratifs et les dispositifs rhétoriques auxquels certains romanc...
In the 17th century in France and England, a considerable theatrical corpus sprang up in which decei...
This dissertation explores the cultural implications of gaming in early modern England. In a histori...
The Spectator is a major figure of the French Enlightenment whose far-reaching significance has not ...
This essay explores the significance of depicting children's games in 18th-century Rococo painting a...
In seventeenth-century France (dominated by the phenomenon of « galanterie »), life at court and in ...
This collection of new essays explores the social, political, and economic pressures under which the...
In eighteenth-century France, music was everywhere. Musical criticism and scores filled journals and...
From the age of Louis XIV to the Jacobin Revolution, the French eighteenth century is often portraye...
This study examines the influences of fairground entertainments on the evolution of the theatrical e...
Living Theater: Politics, Justice and the Stage in France (1750-1800) examines many of the aesthetic...
Theatre scholars and historians assume too easily that theoretical reflection on the performative qu...
This dissertation examines the growth and development of lotteries in eighteenth-century France. Lo...
The mid-eighteenth century witnessed a particularly intense conflict between the Enlightenment philo...
In the last fifty years of the ancien régime, commercial theater in France was transformed. Provinci...
Cette étude porte sur les procédés narratifs et les dispositifs rhétoriques auxquels certains romanc...
In the 17th century in France and England, a considerable theatrical corpus sprang up in which decei...
This dissertation explores the cultural implications of gaming in early modern England. In a histori...
The Spectator is a major figure of the French Enlightenment whose far-reaching significance has not ...
This essay explores the significance of depicting children's games in 18th-century Rococo painting a...
In seventeenth-century France (dominated by the phenomenon of « galanterie »), life at court and in ...
This collection of new essays explores the social, political, and economic pressures under which the...
In eighteenth-century France, music was everywhere. Musical criticism and scores filled journals and...
From the age of Louis XIV to the Jacobin Revolution, the French eighteenth century is often portraye...
This study examines the influences of fairground entertainments on the evolution of the theatrical e...
Living Theater: Politics, Justice and the Stage in France (1750-1800) examines many of the aesthetic...
Theatre scholars and historians assume too easily that theoretical reflection on the performative qu...