This article describes the friendship between Sylvia Townsend Warner, Peter Pears and Benjamin Britten in the 1970s. It draws on previously unpublished correspondence held at the Britten-Pears Archive and the Sylvia Townsend Warner and Valentine Ackland Archive. It describes the role that John Craske’s paintings played in establishing the connection between Warner and Pears, details some visits and covers Britten’s illness and death. The article also describes the concert in Warner’s honour planned by Pears and given in Aldeburgh in July 1977
Britten as a public figure. Britten as a composer of music for children, amateurs, and the church. T...
A brief memoir of a friend and colleague from Flinders University, Australia who passed away in June...
A biographical reminiscence by Sylvia Townsend Warner describing the piano-playing of her grandmothe...
Benjamin Britten composed five song cycles for voice and piano to be performed by his partner, tenor...
A letter about Sylvia Townsend Warner’s friendship with Arnold Rattenbury and Rattenbury’s role as a...
Sylvia Townsend Warner supplied this brief note on Valentine Ackland, for the posthumous collection ...
Susanna Pinney recalls her meetings with Sylvia Townsend Warner,first as a child in the 1950s, and t...
The aim of this article is to establish the critical significance and value of work which was the pr...
Benjamin Britten (1913-1976) grew up in a musical household. His mother was a keen amateur singer w...
The article surveys, summarises and assesses the critical reception and cultural reputation of Sylvi...
Explores the evidence for a personal friendship between Christopher Marlowe and Gervase Markham
Sylvia Townsend Warner’s 1958 poetry collection Boxwood is an unusual book with an unusual genesis. ...
International audienceThis article examines the sets designed by John Piper for eight of Benjamin Br...
The article gives a brief account of the manuscript of Lolly Willowes in the Berg Collection in the ...
International audienceThis article examines the sets designed by John Piper for eight of Benjamin Br...
Britten as a public figure. Britten as a composer of music for children, amateurs, and the church. T...
A brief memoir of a friend and colleague from Flinders University, Australia who passed away in June...
A biographical reminiscence by Sylvia Townsend Warner describing the piano-playing of her grandmothe...
Benjamin Britten composed five song cycles for voice and piano to be performed by his partner, tenor...
A letter about Sylvia Townsend Warner’s friendship with Arnold Rattenbury and Rattenbury’s role as a...
Sylvia Townsend Warner supplied this brief note on Valentine Ackland, for the posthumous collection ...
Susanna Pinney recalls her meetings with Sylvia Townsend Warner,first as a child in the 1950s, and t...
The aim of this article is to establish the critical significance and value of work which was the pr...
Benjamin Britten (1913-1976) grew up in a musical household. His mother was a keen amateur singer w...
The article surveys, summarises and assesses the critical reception and cultural reputation of Sylvi...
Explores the evidence for a personal friendship between Christopher Marlowe and Gervase Markham
Sylvia Townsend Warner’s 1958 poetry collection Boxwood is an unusual book with an unusual genesis. ...
International audienceThis article examines the sets designed by John Piper for eight of Benjamin Br...
The article gives a brief account of the manuscript of Lolly Willowes in the Berg Collection in the ...
International audienceThis article examines the sets designed by John Piper for eight of Benjamin Br...
Britten as a public figure. Britten as a composer of music for children, amateurs, and the church. T...
A brief memoir of a friend and colleague from Flinders University, Australia who passed away in June...
A biographical reminiscence by Sylvia Townsend Warner describing the piano-playing of her grandmothe...