In Colonial Legacies, Gabriella Nugent examines a generation of contemporary artists born or based in the Congo whose lens-based art attends to the afterlives and mutations of Belgian colonialism in postcolonial Congo. Focusing on three artists and one artist collective, Nugent analyses artworks produced by Sammy Baloji, Michèle Magema, Georges Senga and Kongo Astronauts, each of whom offers a different perspective onto this history gleaned from their own experiences. In their photography and video art, these artists rework existent images and redress archival absences, making visible people and events occluded from dominant narratives. Their artworks are shown to offer a re-reading of the colonial and immediate post-independence past, blur...
The Royal Museum for Central Africa in Tervuren, now called AfricaMuseum, reopened in December 2018 ...
This visual essay comprises a selection of works made by artists from several generations and geogra...
Happiness, ritual, and sovereignty are artists’ persistent aspirations in the African- and Afro-Asia...
In Colonial Legacies, Gabriella Nugent examines a generation of contemporary artists born or based i...
One hundred years after the founding of the École Coloniale Supérieure in Antwerp, the adjacent Midd...
How do global inequities inherited from the past continue to profit some people and devastate the li...
A section of the controversial 2005 exhibition La Mémoire du Congo at the Musée Royal de l'Afrique C...
In Performing Race and Belonging in the Modern City: Richard Bruce Nugent, Yinka Shonibare, Hank Wil...
The exhibition 'Diaspora: (Post)colonial Visions’ is part of the project ‘Memory Matters’, a partner...
In recent years the visual archive on the Belgian colonization of Central Africa has attracted both ...
The causes, forms and effects of colonisation and decolonisation are neither geographically nor hist...
This article investigates the development of genealogies of Belgo–Congolese comics showing how the m...
How have imperialism and its after-effects impacted patterns of cultural exchange, artistic creativi...
This paper explores how collaborative artistic networks from the global North and South can challeng...
© 2015 © 2015 Taylor & Francis. Belgium recently celebrated a number of major anniversaries relate...
The Royal Museum for Central Africa in Tervuren, now called AfricaMuseum, reopened in December 2018 ...
This visual essay comprises a selection of works made by artists from several generations and geogra...
Happiness, ritual, and sovereignty are artists’ persistent aspirations in the African- and Afro-Asia...
In Colonial Legacies, Gabriella Nugent examines a generation of contemporary artists born or based i...
One hundred years after the founding of the École Coloniale Supérieure in Antwerp, the adjacent Midd...
How do global inequities inherited from the past continue to profit some people and devastate the li...
A section of the controversial 2005 exhibition La Mémoire du Congo at the Musée Royal de l'Afrique C...
In Performing Race and Belonging in the Modern City: Richard Bruce Nugent, Yinka Shonibare, Hank Wil...
The exhibition 'Diaspora: (Post)colonial Visions’ is part of the project ‘Memory Matters’, a partner...
In recent years the visual archive on the Belgian colonization of Central Africa has attracted both ...
The causes, forms and effects of colonisation and decolonisation are neither geographically nor hist...
This article investigates the development of genealogies of Belgo–Congolese comics showing how the m...
How have imperialism and its after-effects impacted patterns of cultural exchange, artistic creativi...
This paper explores how collaborative artistic networks from the global North and South can challeng...
© 2015 © 2015 Taylor & Francis. Belgium recently celebrated a number of major anniversaries relate...
The Royal Museum for Central Africa in Tervuren, now called AfricaMuseum, reopened in December 2018 ...
This visual essay comprises a selection of works made by artists from several generations and geogra...
Happiness, ritual, and sovereignty are artists’ persistent aspirations in the African- and Afro-Asia...