Add to ORKGTexte republié dans l'ouvrage The music Machine (sous la direction de Curtis Roads), en 1989 : pages 495-508.International audienceThis article is addressed to the idea of developing new instrumental models for digital sound synthesis. These models take two forms : 1) Input devices that capture physical gestures and react to the gestures under program control ; 2) sound synthesis techniques based on the simulation of physical sound producing mechanisms
With current state-of-the-art human movement tracking techology it is possible to represent in real-...
When a musical sound is generated electronically, it is important to have a good model with paramete...
Special issue: Enaction and MusicInternational audienceConsidering the process of artistic creation ...
Texte republié dans l'ouvrage The music Machine (sous la direction de Curtis Roads), en 1989 : pages...
In The Music Machine, Curtis Roads brings together 53 classic articles published in Computer Music J...
Cet article propose une réflexion autour du geste instrumental musical, de sa nature physique et de ...
International audienceIn this paper, we will quickly introduce the tools we developed in our laborat...
International audienceThanks to the retroactive gestic transducer, we have introduced gestic communi...
Electronic sound synthesis continues to offer huge potential possibilities for the creation of new m...
In this paper we introduce four different novel interfaces for mu-sical expression designed at the M...
Creating and performing electroacoustic music utilising interactive systems is now a well-establishe...
This article describes a system for interactive performance that generates live musical accompanimen...
After an introductory survey of how feedback appears in common musical processes and situations, int...
Electronic sound synthesis continues to offer huge potential possibilities for the creation of new m...
International audienceMusicians usually consider physical modeling as a particularly interesting par...
With current state-of-the-art human movement tracking techology it is possible to represent in real-...
When a musical sound is generated electronically, it is important to have a good model with paramete...
Special issue: Enaction and MusicInternational audienceConsidering the process of artistic creation ...
Texte republié dans l'ouvrage The music Machine (sous la direction de Curtis Roads), en 1989 : pages...
In The Music Machine, Curtis Roads brings together 53 classic articles published in Computer Music J...
Cet article propose une réflexion autour du geste instrumental musical, de sa nature physique et de ...
International audienceIn this paper, we will quickly introduce the tools we developed in our laborat...
International audienceThanks to the retroactive gestic transducer, we have introduced gestic communi...
Electronic sound synthesis continues to offer huge potential possibilities for the creation of new m...
In this paper we introduce four different novel interfaces for mu-sical expression designed at the M...
Creating and performing electroacoustic music utilising interactive systems is now a well-establishe...
This article describes a system for interactive performance that generates live musical accompanimen...
After an introductory survey of how feedback appears in common musical processes and situations, int...
Electronic sound synthesis continues to offer huge potential possibilities for the creation of new m...
International audienceMusicians usually consider physical modeling as a particularly interesting par...
With current state-of-the-art human movement tracking techology it is possible to represent in real-...
When a musical sound is generated electronically, it is important to have a good model with paramete...
Special issue: Enaction and MusicInternational audienceConsidering the process of artistic creation ...