International audienceThe team built up from 1976 with fundamental aims motivated by the computer entering in several fields of artistic creation. The deep mutation represented by the computer, regarding the technology history, required a new and fundamental analysis of the role of the material tools in artistic creation as well as the role of the computer itself as tool. New concepts and theories were necessary that cannot be simply deduced from the previous. The computer was then envisaged to introduce explicitly a new mediation level in the creation process, through the paradigm of the interactive and multisensory simulation (IMS) of physical objects. This principle and its correlated techniques are the core of the computer creation tool...
International audienceTrying to implement the concepts of instrumental interaction / instrumental co...
In the traditional experience, the sensory circuits involved in the production of sounding objects w...
International audienceIn Computer Music, a practical approach of many Digital Musical Instruments is...
International audienceThis is a presentation of research work aiming at the conception and creation ...
International audienceIn this paper, we will quickly introduce the tools we developed in our laborat...
International audienceThanks to the retroactive gestic transducer, we have introduced gestic communi...
International audienceThe multisensorial and retroactive simulation technique of physical objects, a...
The nature of human/instrument interaction is a long-standing area of study, drawing interest from f...
The objective of this work is to study the contribution of force feedback to human-computer interact...
La notion d'instrumentalité peut être définie comme la relation corporelle entre un humain et un obj...
Special issue: Enaction and MusicInternational audienceConsidering the process of artistic creation ...
With the advent of digital technologies, the computer has become a generalized tool for music produc...
This study aims at developing an application, called “E-Viographima”, for real time artistic synthes...
The following text describes the development of affective computer interfaces that seek to provoke v...
International audienceIn designing and constructing a computer tool for musical creation, the instru...
International audienceTrying to implement the concepts of instrumental interaction / instrumental co...
In the traditional experience, the sensory circuits involved in the production of sounding objects w...
International audienceIn Computer Music, a practical approach of many Digital Musical Instruments is...
International audienceThis is a presentation of research work aiming at the conception and creation ...
International audienceIn this paper, we will quickly introduce the tools we developed in our laborat...
International audienceThanks to the retroactive gestic transducer, we have introduced gestic communi...
International audienceThe multisensorial and retroactive simulation technique of physical objects, a...
The nature of human/instrument interaction is a long-standing area of study, drawing interest from f...
The objective of this work is to study the contribution of force feedback to human-computer interact...
La notion d'instrumentalité peut être définie comme la relation corporelle entre un humain et un obj...
Special issue: Enaction and MusicInternational audienceConsidering the process of artistic creation ...
With the advent of digital technologies, the computer has become a generalized tool for music produc...
This study aims at developing an application, called “E-Viographima”, for real time artistic synthes...
The following text describes the development of affective computer interfaces that seek to provoke v...
International audienceIn designing and constructing a computer tool for musical creation, the instru...
International audienceTrying to implement the concepts of instrumental interaction / instrumental co...
In the traditional experience, the sensory circuits involved in the production of sounding objects w...
International audienceIn Computer Music, a practical approach of many Digital Musical Instruments is...