International audienceThroughout this paper, several CORDIS-ANIMA physical models will be presented to offer an alternative synthesis of some classical delay-based digital audio effects: a delay model, two comb filter models, three flanger models and a sound spatialization model. Several of these realizations support a control scheme based on the ''Physical Instrumental Interaction''. Additionally they provide several sonic characteristics which do not appear in the original ones. Especially the flanger model, for certain parameter values may give a new digital audio effect between flanging and filtering
International audienceWe first present some tools and methods for sound synthesis, based on the phys...
International audienceThe multisensorial and retroactive simulation technique of physical objects, a...
Real.-time musical effects processing and synthesis play a part in nearly all musical sounds encoun...
Abstract — Throughout this paper, several CORDIS-ANIMA physical models will be presented to offer an...
Since the early days of computer music, a variety of algorithms have been developed and dedicated to...
Abstract. This thesis proposes the use of CORDIS-ANIMA physical modeling formalism as a mean of desi...
International audiencePhysical modeling sound synthesis methods are known to be on the one hand pote...
Among the many physically-based modelling techniques, various have been designed in computer music f...
Notre propos se concentre sur les méthodes d’analyse et de modélisation pour l’analyse dédiées aux r...
Session: Physical ModelingInternational audienceA variety of filters have been designed, synthesized...
9 pagesInternational audienceAmong different currents in musical sound synthesis the instrumental ap...
Since the early days of electronic and computer music, a variety of methods dedicated to the process...
International audiencePhysical model is the raw material for many simulation systems. For example, t...
International audienceIn this paper, we will quickly introduce the tools we developed in our laborat...
International audienceSince the early days of electronic and computer music, a variety of methods de...
International audienceWe first present some tools and methods for sound synthesis, based on the phys...
International audienceThe multisensorial and retroactive simulation technique of physical objects, a...
Real.-time musical effects processing and synthesis play a part in nearly all musical sounds encoun...
Abstract — Throughout this paper, several CORDIS-ANIMA physical models will be presented to offer an...
Since the early days of computer music, a variety of algorithms have been developed and dedicated to...
Abstract. This thesis proposes the use of CORDIS-ANIMA physical modeling formalism as a mean of desi...
International audiencePhysical modeling sound synthesis methods are known to be on the one hand pote...
Among the many physically-based modelling techniques, various have been designed in computer music f...
Notre propos se concentre sur les méthodes d’analyse et de modélisation pour l’analyse dédiées aux r...
Session: Physical ModelingInternational audienceA variety of filters have been designed, synthesized...
9 pagesInternational audienceAmong different currents in musical sound synthesis the instrumental ap...
Since the early days of electronic and computer music, a variety of methods dedicated to the process...
International audiencePhysical model is the raw material for many simulation systems. For example, t...
International audienceIn this paper, we will quickly introduce the tools we developed in our laborat...
International audienceSince the early days of electronic and computer music, a variety of methods de...
International audienceWe first present some tools and methods for sound synthesis, based on the phys...
International audienceThe multisensorial and retroactive simulation technique of physical objects, a...
Real.-time musical effects processing and synthesis play a part in nearly all musical sounds encoun...