Shore (1968). Lynton describes it as "man-made" and "architectural". Caro thinks it has an unusual feature, a "leg" rather than the piece "floating" as many of his other works do, which gives it "an engineering look" though he doesn’t want it to have "that muscle-flexing thing". He believes that artists shouldn’t do things again; if they know how to do something, they should move on, "discover", which is what makes art productive. He suggests that otherwise "it becomes performance" "which is what Picasso did at the end of his life"
An exhibition at Bath School of Art & Design (6th Dec 2016- 20th Jan 2017) chronicles the Artist Bos...
Art is a philosophy as well as a craft. A basic premise of the philosophy of art is that a work must...
[EN] Playful drawings by architects have not received the same attention as those they produce for t...
Norbert Lynton asks Anthony Caro how five sculptures can possibly represent his work. Caro says the...
Slow Movement (1965). Caro describes it as being "real", though it’s "not meant to be anything". L...
Norbert Lynton asks Anthony Caro how five sculptures can possibly represent his work. Caro says the...
CCLXIX (1975). Lynton describes the steel as seeming "soft". Caro talks about discovering "soft, l...
Half Moon (1980). Caro describes the make-up of this piece, saying that he was looking for more enc...
"Anthony Caro (1924 - 2013) played a pivotal role in the development of twentieth century sculpture....
Artist Boss is the first and only extended engagement with prolific sculptor Sir Anthony Caro (1924-...
Curated by J. Dunseath and Dr M. Wilsher at New Art Centre, Roche Court. This exhibition looks a...
Carpenter explores the many facets of this British sculptor's work, including his relationship to Ca...
Brisbane-based artist Eugene Carchesio works with collage, drawing, watercolour and sound. His water...
In an exploration of single-object sculpture of the last 100 years, assessed here as a continuously ...
Opie says that one sculpture evolved from the idea of signing a work on the front but brought in mor...
An exhibition at Bath School of Art & Design (6th Dec 2016- 20th Jan 2017) chronicles the Artist Bos...
Art is a philosophy as well as a craft. A basic premise of the philosophy of art is that a work must...
[EN] Playful drawings by architects have not received the same attention as those they produce for t...
Norbert Lynton asks Anthony Caro how five sculptures can possibly represent his work. Caro says the...
Slow Movement (1965). Caro describes it as being "real", though it’s "not meant to be anything". L...
Norbert Lynton asks Anthony Caro how five sculptures can possibly represent his work. Caro says the...
CCLXIX (1975). Lynton describes the steel as seeming "soft". Caro talks about discovering "soft, l...
Half Moon (1980). Caro describes the make-up of this piece, saying that he was looking for more enc...
"Anthony Caro (1924 - 2013) played a pivotal role in the development of twentieth century sculpture....
Artist Boss is the first and only extended engagement with prolific sculptor Sir Anthony Caro (1924-...
Curated by J. Dunseath and Dr M. Wilsher at New Art Centre, Roche Court. This exhibition looks a...
Carpenter explores the many facets of this British sculptor's work, including his relationship to Ca...
Brisbane-based artist Eugene Carchesio works with collage, drawing, watercolour and sound. His water...
In an exploration of single-object sculpture of the last 100 years, assessed here as a continuously ...
Opie says that one sculpture evolved from the idea of signing a work on the front but brought in mor...
An exhibition at Bath School of Art & Design (6th Dec 2016- 20th Jan 2017) chronicles the Artist Bos...
Art is a philosophy as well as a craft. A basic premise of the philosophy of art is that a work must...
[EN] Playful drawings by architects have not received the same attention as those they produce for t...