Half Moon (1980). Caro describes the make-up of this piece, saying that he was looking for more enclosure, difficult to do in steel. The piece was originally a composite of casts made in wax and cardboard boxes: the cardboard was reproduced in brass and the wax shapes in bronze, and then everything was cut and further shaped. Lynton suggests that it has a "hint of theatre" about it. Caro is more concerned with the shape inside it which he now thinks is wrong in some way: he debates what to do about it. Credits
Caro's The Trojan War (1993/4), is a complex 40-piece sculpture series given to exploring the narrat...
A talk by Jenny Dunseath (London-based artist and Senior lecturer in Fine Art at Bath School of Art ...
Details of sculpture. Phillip King VO describes himself as "an object maker and also a revealer …". ...
Norbert Lynton asks Anthony Caro how five sculptures can possibly represent his work. Caro says the...
CCLXIX (1975). Lynton describes the steel as seeming "soft". Caro talks about discovering "soft, l...
Norbert Lynton asks Anthony Caro how five sculptures can possibly represent his work. Caro says the...
Shore (1968). Lynton describes it as "man-made" and "architectural". Caro thinks it has an unusual...
Slow Movement (1965). Caro describes it as being "real", though it’s "not meant to be anything". L...
"Anthony Caro (1924 - 2013) played a pivotal role in the development of twentieth century sculpture....
Artist Boss is the first and only extended engagement with prolific sculptor Sir Anthony Caro (1924-...
Carpenter explores the many facets of this British sculptor's work, including his relationship to Ca...
Curated by J. Dunseath and Dr M. Wilsher at New Art Centre, Roche Court. This exhibition looks a...
Artist Boss presents a series of illustrated interviews with Anthony Caro's (1924-2013) studio assis...
The work of the artist presented in this abstract is a result of much personal involvement with thou...
thesisMaster of ArtsArt/Art HistoryThe show contained twenty-two sculptures of the human form. Al...
Caro's The Trojan War (1993/4), is a complex 40-piece sculpture series given to exploring the narrat...
A talk by Jenny Dunseath (London-based artist and Senior lecturer in Fine Art at Bath School of Art ...
Details of sculpture. Phillip King VO describes himself as "an object maker and also a revealer …". ...
Norbert Lynton asks Anthony Caro how five sculptures can possibly represent his work. Caro says the...
CCLXIX (1975). Lynton describes the steel as seeming "soft". Caro talks about discovering "soft, l...
Norbert Lynton asks Anthony Caro how five sculptures can possibly represent his work. Caro says the...
Shore (1968). Lynton describes it as "man-made" and "architectural". Caro thinks it has an unusual...
Slow Movement (1965). Caro describes it as being "real", though it’s "not meant to be anything". L...
"Anthony Caro (1924 - 2013) played a pivotal role in the development of twentieth century sculpture....
Artist Boss is the first and only extended engagement with prolific sculptor Sir Anthony Caro (1924-...
Carpenter explores the many facets of this British sculptor's work, including his relationship to Ca...
Curated by J. Dunseath and Dr M. Wilsher at New Art Centre, Roche Court. This exhibition looks a...
Artist Boss presents a series of illustrated interviews with Anthony Caro's (1924-2013) studio assis...
The work of the artist presented in this abstract is a result of much personal involvement with thou...
thesisMaster of ArtsArt/Art HistoryThe show contained twenty-two sculptures of the human form. Al...
Caro's The Trojan War (1993/4), is a complex 40-piece sculpture series given to exploring the narrat...
A talk by Jenny Dunseath (London-based artist and Senior lecturer in Fine Art at Bath School of Art ...
Details of sculpture. Phillip King VO describes himself as "an object maker and also a revealer …". ...